现代乌克兰文学准历史话语中的超自然人物:特殊性与功能

O. Nikolova, Kateryna Vasylyna
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摘要

本文旨在研究21世纪初乌克兰的准历史小说,其特点是摒弃叙事的“客观性”,强调想象的作用。这些是巴卡列茨和雅里什的作品(《来自第七底》)、维尼丘克的作品(《药剂师》、《鲁特西亚》)和亚岑科的作品(《内克惠》)。涅莫夫。Nebach”)。研究揭示了上述小说中奇幻人物的特点和功能。这些现代乌克兰准历史文学话语的虚构形象具有地狱性、怪诞的拟人化、对传统“超凡脱俗-尘世/人类”二律背反的破坏、哲学和讽刺色彩。在21世纪人们对过去的认知这一全球性问题的背景下,解释准历史小说中的幻想是一种权宜之计,重点是公众意识的重大变化促使作家“重写/重新想象过去”。这种现象的蔓延反映了公众对当局的不信任,对过去事件的问题提供“正确”的答案,抗议对历史事实的永久操纵(社会意识和知识化的增长趋势)。
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Supernatural Characters in the Quasi-Historical Discourse of Modern Ukrainian Literature: Specificity and Functions
: The article is aimed at the study of Ukrainian quasi-historical novels of the early 21st century, characterized by the renunciation of “objectivity” of the narrative and emphasized the role of imagination. These are the pieces by Bakalets and Yarish (“From the Seventh Bottom”), Vynnychuk (“The Pharmacist”, “Lutetia”), and by Yatsenko (“Nechui. Nemov. Nebach”). The study reveals the features and functions of fantastic characters in the abovementioned novels. These fictional images of modern Ukrainian quasihistorical literary discourse are characterized by infernality, grotesque anthropomorphism, destruction of traditional antinomy “otherworldly– earthly/human”, philosophical and ironic coloring. Interpreting the fantasy in quasi-historical novels is expedient in the context of the global problem of perception of historical past by people of the 21st Century, with an emphasis on significant changes in public consciousness motivating writers to “Re-write/Reimagine the past”. The spread of this phenomenon reveals public distrust of the authorities, offering “correct” answers to the questions about past events, protest against permanent manipulation of historical facts (the tendency of growing consciousness and intellectualization of society).
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