Jan P. Hudzik
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这篇文章是关于早在20世纪末就在德国发展起来的媒介哲学。它作为媒介哲学(Medienphilosophie)的出现,是由于社会理论和实践中发生的两个不同事件的巧合,即德国哲学某一时期的结束与网络文明的开始相吻合。要理解后一种情况,就需要创造一种新的语言——一种新的分析和批判工具,能够掌握越来越被媒介化的现实。问题不在于具体的媒介,而在于媒介本身。所讨论的哲学的重建并不包括所有作者所表达的观点的呈现。它较少涉及这种哲学的实质性发现,更多的是关于它的元理论方面——本体论和认识论假设,概念工具,论证模式。本文共分为五个部分。前两篇介绍了媒介哲学的起源和发展背景。接下来的两部分是关于媒体哲学的身份——它的元理论特征包含在两位杰出人物弗兰克·哈特曼和西比尔Krämer的著作中。第四部分探讨所谓媒介转向后科学哲学学科的特殊性。
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Nowa filozofia mediów w Niemczech
This article is about the philosophy of media developed in Germany as early as at the end of the 20th century. It was appeared as the Medienphilosophie – media philosophy – due to a coincidence of two different events that happened in social theory and practice – it’s when the end of certain period in German philosophy coincided then with the beginning of cyber civilization. The understanding of the latter situation demands the creation of a new language – a new analytical and critical apparatus capable of grasping reality becoming more and more medialized. The problem is not so much a question of particular media, but mediality itself. The reconstruction of the philosophy in question does not consist of the presentation of the views expressed by all its authors. It is less about substantive findings of this philosophy and more about its meta-theoretical aspects – the ontological and epistemological assumptions, conceptual apparatus, modes of justification. This text consists of five parts. The first two ones present origins and contexts of the development of the Medienphilosophie. The following two parts are concerned with the identity of media philosophy – its metatheoretical characteristics contained in the writings of two prominent figures – Frank Hartmann and Sybille Krämer. The last part is devoted to the specificity of the scientific and philosophical discipline after the so-called media turn.
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