奈保尔的非虚构文学:一个批判性的探索

A. Prasad
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摘要

奈保尔是英国现代小说、非小说和游记写作领域的杰出文学人物。他获得了许多文学奖项和荣誉,包括令人垂涎的诺贝尔奖和布克奖。他的非虚构作品,如《黑暗之地》、《印度:受伤的文明》、《失去埃尔多拉多》、《印度:一百万兵变》和《超越信仰》,都是对印度各种宗教、文化、习俗和人民的现实写照。作为作者,奈保尔的主要目的是传递真相;因为诗人是人类未被承认的立法者。奈保尔在他的非虚构作品中所呈现的事实比他的小说作品更真实、更现实。尽管如此,这是一部虚构的作品,经过了大量的精心探索、讨论和分析。另一方面,到目前为止,他的非虚构作品仍然是冷漠的。在过去的几十年里,非小说类书籍也占据了强势地位。现在,人们正根据文学批评的各种理论原则对非虚构作品进行分析、阐释和探索。v·s·奈保尔将这一新流派带到了新的高度和成就。他是印度裔,以以发展中国家为背景的悲观作品而闻名。他曾像赛珍珠和福斯特一样访问过印度几次。所以,他对印度宗教、社会、文化和政治的描述非常现实。他的视野和观念与现代东西方的思想和观念非常接近。
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The Non-fictions of V.S. Naipaul: A Critical Exploration
V. S. Naipaul is an eminent literary figure in the field of modern fiction, non-fiction, and travelogue writing in English literature. He earned a number of literary awards and accolades, including the covetous Nobel Prize and Booker Prize. His non-fiction e.g., An Area of Darkness, India: A Wounded Civilization, The Loss of El Dorado, India: A Million Mutinies Now and Beyond Belief are a realistic portrayal of the various types of religion, culture, customs, and people of India. As an author, the main purpose of V. S. Naipaul is to deliver the truth; because poets are the unacknowledged legislators of mankind. The fact that V. S. Naipaul has presented in his non-fiction is more authentic and realistic than that of his fiction. Nonetheless, it is fictional work that is elaborately explored, discussed, and analyzed in abundance. On the other hand, his non-fiction, by and far, remains aloof. In the last few decades, non-fictions are also taking the ground strongly. Now non-fiction writings are being analyzed, elucidated, and explored based on various theoretical principles of literary criticism. V. S. Naipaul carried the new genre to new heights and achievements. He is of Indian descent and known for his pessimistic works set in developing countries. He visited India several times, like Pearl S. Buck and E. M. Forster. So, his presentation of Indian religion, society, culture, and politics are very realistic. His vision and ideas are very close to the modern thoughts and visions of both the east and the west.
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