阿塞拜疆国家艺术博物馆:关于建立的历史

Gunay N. Qafarova
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摘要

本文简要介绍了阿塞拜疆国家艺术博物馆的创建历史,这是该国最大的博物馆之一。博物馆收藏了大量俄罗斯、西欧、东方和阿塞拜疆的艺术品。这些藏品是在博物馆存在的整个过程中形成的,但它的基础是在Azgosmusey。收藏的一部分由苏联时期转移到博物馆的展品组成,这是一项依靠大众教育的文化政策,不分国籍和地区。对博物馆的展览活动进行了描述性的描述,其中俄罗斯和外国博物馆的藏品在不同的年份展出。在不同的年份里,博物馆举办了兄弟共和国以及中国、印度和伊朗的展览。每次展览结束后,博物馆的藏品都会补充新的展品。博物馆经常举办和举办阿塞拜疆各种绘画流派代表的个人展览。这个国家的艺术家们为他们的画作在这个国家的主要博物馆之一展出和储存而感到自豪。在这篇文章的背景下,第一位戏剧艺术家R.Mustafayev的作品被赋予了一个特殊的位置,他的名字在博物馆里沿用了几十年,他的作品被保存在他的收藏中。不幸的是,这位才华横溢的艺术家的名字很少为年轻一代所知,尽管他对国家景观学的发展和建筑古迹的保护做出了不可估量的贡献。凭借他的艺术才华,他设计的剧目《科罗卢》和《阿尔辛·马尔阿兰》成功登上了各大剧院的舞台。Тhe对他的作品的分析是对阿塞拜疆国家艺术博物馆研究历史的重要专题贡献。
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Azerbaijan National Museum of Art: On the history of foundation
The article briefly gives the history of the creation of the Azerbaijan National Museum of Art, one of the largest museums in the country. The museum has a rich collection of Russian, Western European, Eastern and Azerbaijani art. The collection has been formed throughout the existence of the museum, but its foundation was laid back in the Azgosmusey. A certain part of the collection is made up of exhibits transferred to the museum during the USSR period, a cultural policy that relied on the education of the masses, regardless of nationality and region. A descriptive description of the exhibition activities of the museum is given, in which both collections of Russian and foreign museums were exhibited in different years. In various years, the museum hosted exhibitions of the fraternal republics, as well as China, India, Iran. After each exhibition, the museum’s collection was replenished with new exhibits. The museum constantly held and held personal exhibitions of representatives of various schools of painting in Azerbaijan. The country’s artists are proud that their paintings are exhibited and stored in one of the country’s major museums. In the context of the article, a special place is given to the work of the first theater artist R.Mustafayev, whose name the museum bore for many decades, and whose works are kept in his collection. Unfortunately, the name of this talented artist is little known to the younger generation, although his contribution to the development of national scenography and the protection of architectural monuments is invaluable. Thanks to his artistic flair, the performances “Koroglu” and “Arshin Mal Alan” designed by him have been successfully staged on the stage of various theaters. Тhe analysis of his work is an important thematic contribution to the history of the study of the Azerbaijan National Museum of Art.
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