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Museum of Classical Archeology of the 19th-century Imperial Academy of Sciences: The history of organizing and transferring collections to the Imperial Hermitage 19世纪帝国科学院古典考古博物馆:组织和转移藏品到帝国冬宫的历史
Pub Date : 2021-03-01 DOI: 10.21638/SPBU27.2021.102
Margarita F. Khartanovich, M. Khartanovich
The Museum of Classical Archeology of the Imperial Academy of Sciences is the successor to the 18th-century Kunstkamera of the Academy of Sciences in term of collections of classical antiquities. This article discusses in detail the stages of development of the Museum of Classical Archaeology as an institution within the structure of the Academy of Sciences through the Cabinet of Medals and Rarities, Numismatic Museum, and the Museum of Classical Archaeology. The fund of the museum consisted of ancient Greek and Roman coins, ancient Russian coins, coins from oriental cultures, ancient Greek vases, antiquities from ornamental stone, glass, precious metals, impressions of medals and coins, items from archaeological excavations and treasures, manuscripts, drawings of objects and photographs. Special attention is paid to the correlation of the possibilities of museum collections of the Academy of Sciences and the Imperial Hermitage in terms of storage, exhibition, research, and promotion of archaeological collections in the second half of the 19th century. The reasons for the very active transfer of the Academy of Sciences’ archaeological collections to the Hermitage in the 19th century and the types of compensation received by the Academy for the collections are discussed. The first archaeological collections donated from the Academy of Sciences to the Hermitage on the initiative of the chairman of the Imperial Archaeological Commission S. G. Stroganov were the “Siberian collection” of Peter I and the Melgunov treasure. The collection of the Museum of Classical Archeology also attracted the attention of art critic I. V. Tsvetaev when arranging funds for the new Museum of Fine Arts at Moscow University. The article introduces into scientific circulation archival documents, showing the state of the museum work in the 19th century in the institution of the Academy of Sciences, documents depicting the structure of the Museum of Classical Archaeology, and the composition of collections.
帝国科学院古典考古博物馆在古典文物收藏方面继承了18世纪科学院的kunstcamera。本文详细论述了古典考古博物馆作为科学院结构下的一个机构的发展阶段,包括奖章与珍品陈列室、钱币博物馆和古典考古博物馆。博物馆的资金包括古希腊和古罗马的硬币、古代俄罗斯的硬币、东方文化的硬币、古希腊的花瓶、装饰石的古董、玻璃、贵金属、奖章和硬币的印痕、考古发掘和宝藏中的物品、手稿、物体的绘画和照片。特别关注科学院和帝国冬宫在19世纪下半叶考古收藏的储存、展览、研究和推广方面的可能性的相关性。讨论了19世纪科学院非常积极地将考古藏品转移到艾尔米塔什的原因,以及科学院对这些藏品获得的补偿类型。在帝国考古委员会主席S. G. Stroganov的倡议下,科学院捐赠给冬宫的第一批考古收藏品是彼得一世的“西伯利亚收藏品”和梅尔古诺夫宝藏。古典考古博物馆的藏品在为莫斯科大学的新美术博物馆安排资金时,也引起了艺术评论家I. V.茨维塔耶夫的注意。本文介绍了科学流通档案文件,展示了19世纪科学院机构的博物馆工作状况,描述了古典考古博物馆结构的文件,以及藏品的组成。
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引用次数: 0
Candy wrapping as a new subject of museum collection: Terminological features, history of the appearance, thematic direction 糖果包装作为博物馆收藏的新课题:术语特征、历史面貌、主题方向
Pub Date : 2020-03-01 DOI: 10.21638/11701/spbu27.2020.109
A. Lushnikova, Ksenia N. Denisenko
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引用次数: 0
The possibilities of art museums in preparing choreographers in China 艺术博物馆在中国培养编舞家的可能性
Pub Date : 2019-12-01 DOI: 10.21638/11701/SPBU27.2019.207
Long Ziyan
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引用次数: 0
Russian museums in French publications at the turn of the 19th–20th centuries 19 - 20世纪之交法国出版物中的俄罗斯博物馆
Pub Date : 2019-12-01 DOI: 10.21638/11701/SPBU27.2019.210
M. S. Stefko
This paper explores the awareness of French researchers and the readership about the reali-ties of museum practice in Russia at the turn of the 19 th –20 th centuries. The question arises concerning the inclusion of Russian museums in the informational and cultural context of France during the formation of the Russian-French alliance, key objects of interest and prin-ciples for their description are also analyzed. This approach, based on reviews and special studies, is intended to outline a list of museums that have attracted the greatest attention of French authors. Among them are museums of national history (State Historical Museum), technology (Polytechnic Museum), art collections (Hermitage, Tretyakov Gallery, collection of P. I. Shchukin) and collections of arts and crafts (the Baron Stieglitz Art and Industry Museum, the collection of the Stroganov School). This panorama represents a very characteristic choice for the French observer of that period, seeking to learn a new country. The approach of description of Russian museum landscape is based on the analogies with the influential French museums of that time. The Louvre Museum, the Luxembourg Museum, the Museum of French Monuments, the Trocadero Ethnographic Museum, the Conservatory of Arts and Crafts, the Central Union of Decorative and Applied Arts, and the Cluny Museum formed the museum landscape of France during the period being analyzed. All descriptions appeal to this context, which reflected the key points for the French mentality (national history, national and European art, decorative and applied art, technology, architecture) fixed in the museum building process. Thus, the actual and most striking events of Russian museum practice at the turn of the 19 th –20 th centuries were recorded in French publications, which could contribute to the formation of an extensive, non-simplistic view of the Russian cultural and museum process during that period.
本文探讨了19 -20世纪之交法国学者和读者对俄罗斯博物馆实践现实的认识。关于在俄法联盟形成期间将俄罗斯博物馆纳入法国的信息和文化背景的问题,还分析了对其描述的主要兴趣对象和原则。这种方法以评论和特别研究为基础,旨在概述吸引法国作家最大关注的博物馆名单。其中包括国家历史博物馆(国家历史博物馆)、技术博物馆(理工博物馆)、艺术收藏(冬宫、特列季亚科夫画廊、p.i. Shchukin收藏)和工艺品收藏(斯蒂格利茨男爵艺术与工业博物馆、斯特罗加诺夫学校收藏)。这幅全景图代表了那个时期的法国观察者在寻求了解一个新国家时的一个非常典型的选择。俄国博物馆景观的描述方法是基于与当时有影响力的法国博物馆的类比。卢浮宫博物馆、卢森堡博物馆、法国纪念碑博物馆、特罗卡德罗民族博物馆、工艺美术学院、装饰与应用艺术中心联盟和克吕尼博物馆构成了分析期间法国的博物馆景观。所有的描述都诉诸于这一背景,这反映了博物馆建设过程中固定的法国心态(民族历史,民族和欧洲艺术,装饰和应用艺术,技术,建筑)的关键点。因此,19 -20世纪之交俄罗斯博物馆实践的实际和最引人注目的事件被记录在法国出版物中,这可能有助于形成一个广泛的,非简单化的观点,在这一时期的俄罗斯文化和博物馆进程。
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引用次数: 0
“In the strong hands of the government”: Letters from I. P. Kornilov and A. D. Stolypin about the transformation of the Vilno Museum of Antiquities “在政府的强力控制下”:I. P.科尔尼洛夫和A. D.斯托雷平关于维尔诺古物博物馆改造的信件
Pub Date : 2019-12-01 DOI: 10.21638/11701/SPBU27.2019.213
A. Kotov
This research was supported by the grant No. 19-18-00073 “National Identity in the Imperial Politics of Memory: History of The Grand Duchy of Lithuania and the Polish-Lithuanian State in Historiography and Social Thought of the 19th–20th Centuries” of the Russian Science Foundation.
本研究得到了俄罗斯科学基金会“帝国记忆政治中的民族认同:立陶宛大公国和波兰立陶宛国史在19- 20世纪的史学和社会思想”项目(19-18-00073)的资助。
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引用次数: 1
Cooperation between the USSR and China in the training of specialists in the field of Museum Studies in the 1950s (on the example of training Xu Zhipin at the Repin Institute in Leningrad) 20世纪50年代苏中两国在培养博物馆学专家方面的合作(以在列宁格勒列宾学院培养许志品为例)
Pub Date : 2019-12-01 DOI: 10.21638/11701/spbu27.2019.206
O. Sapanzha, Van Shudzin
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引用次数: 0
Development of museum affairs in Azerbaijan at the end 20th — beginning 21st century 20世纪末至21世纪初阿塞拜疆博物馆事务的发展
Pub Date : 2019-12-01 DOI: 10.21638/11701/spbu27.2019.205
S. A. Kerimova
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引用次数: 0
How to study daily life of the Soviet elite of the second half of the 1940s — early 1950s: sources of museum origin 如何研究20世纪40年代下半叶- 50年代初苏联精英的日常生活:博物馆起源的来源
Pub Date : 2019-12-01 DOI: 10.21638/11701/SPBU27.2019.211
A. Amosova, Anna D. Bulakhova
The study was carried out with the financial support of the Russian Science Foundation (project No. 18-78- 00060).
这项研究是在俄罗斯科学基金会(项目号18-78- 00060)的资助下进行的。
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引用次数: 0
“Black Gold” of Belgium: History and modernity (on the example of one exhibit from the technical collection of the Mining Museum) 比利时“黑金”:历史与现代(以矿业博物馆技术藏品为例)
Pub Date : 2019-12-01 DOI: 10.21638/11701/SPBU27.2019.208
K. Tumanova
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引用次数: 0
Participatory technologies as a new challenge to theoretical museology 参与式技术对理论博物馆学的新挑战
Pub Date : 2019-12-01 DOI: 10.21638/11701/SPBU27.2019.202
A. Smirnov
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引用次数: 0
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The Issues of Museology
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