Cindi Soraya Dwi Putri Sibarani
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摘要

根据所获得的资料进行的研究结果表明,在实施弃舞仪式的过程中,大灯舞在实施过程中出现成为必须进行的重要部分之一,因为大灯舞成为其后代祖先的精神“曼邦”的超自然精神的进入手段。曼邦的灵魂进入家庭和社区的身体,在拒绝增援的过程中跳舞。每个舞者在大灯舞的动作和特点上都有所不同。因为每个拥有一个家庭的身体的Mambang或许多成为舞者的人都有不同的性格。Mambang Buaya在感到不安时会生气,Mambang Knight在有其他Mambang无意干涉时能够控制情绪,Blind Mambang情绪敏感,Mambang Leaders性格严格,努力,负责任,Mambang Penangis孤僻,喜欢哭泣,Mambang Macan安静,平静,Mambang Jelita开朗,鼓励其他Mambang跳舞。Mambang Galak看到观众用手机拍照时非常生气,Mambang Iba温柔而孤独,Mambang Berdembah遮住生殖器,很高兴与其他Mambang精灵接近,害羞的Mambang不想在公共场合露出脸,用围巾遮住它。从不同角色的Mambang,动作执行根据每个Mambang的愿望也是不同的 .                                                                                   关键词:动作;性格;大灯舞;
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ANALISIS GERAK DAN KARAKTER RITUAL TARI DAKDENG PADA MASYARAKAT MELAYU DESA BAGAN SERDANG KABUPATEN DELI SERDANG
                                                                     ABSTRACT The results of the research based on the data obtained show that in the process of implementing the ceremony of rejecting the dance of Dakdeng dance present in the middle of the implementation becomes one of the important parts that must be carried out because the Dakdeng dance becomes a means of entry of supernatural spirits called Mambang which is the spirit of the ancestors of their descendents . Mambang's spirits entering the body of the family and community will dance during the process of rejecting reinforcements. There are differences in the movements and character of the Dakdeng dance between one dancer to the other. Because every Mambang who possesses the body of a family or a number of people who become dancers has a different character. Different character can be seen from Mambang Buaya who is angry when he feels disturbed, Mambang Knight is able to control emotions when there are other Mambang who unintentionally interfere, Blind Mambang has a sensitive mood, Mambang Leaders have a strict, hard and responsible nature, Mambang Penangis the loner and likes to cry, Mambang Macan is quiet and calm, Mambang Jelita is cheerful and encourages the other Mambang to dance, Mambang Galak is very angry when he sees the audience recording with his cellphone camera, Mambang Iba is gentle and a loner, Mambang Berdembah covers the genitals and is happy approaching with other Mambang spirits, Shy Mambang does not want to show his face in public and cover it with a scarf. Judging from the different character of Mambang, the movements performed are also different according to the wishes of each Mambang.                                                                                    Keywords: Movement, Character, Dakdeng Dance, Mambang. 
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