动态城市:一个混乱世界的象征性提议

Andrés Martínez-Medina
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摘要

在第15届威尼斯双年展-建筑展(2016)的文化活动中,阿利坎特大学教授Joaquin Alvado Banon邀请了“时间,空间,存在”项目,并以装置作品“动态城市”为主题。本博宫内的欧洲文化中心举办了一系列展览,这次会议正好与之相适应。它展示了一个二维模型(和一个视频),其中一个手提箱打开了所有的盖子,用铸造金属制作,并展示了行李:共有12个不同尺寸和格式的天然石材桌子,矩形的边缘弯曲。结果是一幅拼贴画,上面的石头被圆孔刺穿,就像一个谜题的碎片在一个酒吧的齿轮上。根据作者的说法,这个提议试图展示世界的不稳定性,因此,城市和居住在其中的社会的不稳定性。他从混沌理论的起源“蝴蝶效应”开始,试图建立不同变量之间的联系,为创新奠定基础,并将城市理解为一个动态的、不可预测的机构,作为一种机制,其中物理形式只是支持活动、能量和信息流。这是一种概念性的方法,将城市作为一个生态系统抽象为两个元素:真空和动态系统。这个装置象征性地表达了公共空间和私人建筑之间的相互作用,隐喻了城市的历史。这是一种由人类犯下的罪行,由其理性状态所定义,表现在他的情感状态中,他指责他们的社会状态,这种状态受到城市的青睐。
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Dynamic Cities – Ciudades Dinámicas: Una propuesta simbólica para un mundo caótico
Within the cultural activities of the 15th Venice Biennale - Architecture Exhibition (2016) figures the program "Time, Space, Existence" to which has been invited the Professor of the University of Alicante Joaquin Alvado Banon with an installation entitled Dynamic Cities . This Assembly fits into the series of exhibitions of the European Cultural Center within the Bembo Palace. It is displayed a model of two dimensions (and a video) with a suitcase opened in all caps, executed with a casting metal and showing the luggage: a total of twelve tables of natural stone of different sizes and formats rectangular of edges curved. The result is a collage of stone pieces pierced by their round holes that fit like pieces of a puzzle over a bar gear. According to the author, this proposal tries to show the instability of the world and, hence, of the cities and societies that inhabit it. He parts of the beginning of the "butterfly effect", which is at the origin of the theories of Chaos, and attempts to establish links between different variables for laying the foundations of innovation and understanding the city as a kinetic, not predictable agency as a mechanism, where the physical form is merely the support activities, energy and information flows. It is a conceptual approach to the city as an ecosystem abstracted into two elements: the vacuums and the dynamic system. The installation express symbolically the interaction between them spaces public and the architectures private as a metaphor of the History of the cities. It is a facility that committed by human beings, defined by its rational condition shown in his emotional condition and who accuse their social condition, condition that is favoured by the cities.
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