瓦西尔·斯蒂凡克小说中女性化的文学和方言特征的体现

Мariia Brus
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摘要

本文分析了Vasyl Stefanyk短篇小说中所反映的女性的常见姓名和姓氏。关注作家作为波库提亚方言代表的艺术作品的具体特点,揭示其作品中所体现的具有女性意义的名词的语义、构词、文体特征。他的短篇小说中的女性符号是全文学、西乌克兰语和波库提亚语词汇单位的紧密结合,其特点是作者的艺术视野和对农村生活世界的沉浸。他的短篇小说中的女性符号是全文学、西乌克兰语和波库提亚语词汇单位的紧密结合,其特点是作者的艺术视野和对农村生活世界的沉浸。Vasyl Stefanyk作品中的女性化和女性化过程是基于白话文的,这使得它有可能吸引当时乌克兰文学语言中所有女性的丰富性,以促进妇女教育及其与男性化的实现。从词汇语义的角度看,这是常用和特殊名词的体现,是女性语义结构的扩展,是特定意义的使用。在构词性和构词性术语中,是衍生词和非衍生词的实现,是后缀构词性类型相对于其他衍生词的优势,是构词性手段功能的拓展。在文体层面上,它是文体中性和有色词汇的积累,使几乎所有具有女性意义的名词都具有口语化的特征,在意义上具有不同的内涵深浅。对女性形象的考虑和解释基于深刻的立法和作家对波库蒂亚现实生活的参与,这导致了对妇女适当名称的综合使用。
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THE EMBODIMENT OF LITERARY AND DIALECT FEATURES OF FEMINITATION IN THE NOVELS OF VASYL STEFANYK
The article analyzes the common names and surnames of women, which are reflected in the short stories of Vasyl Stefanyk. Attention is paid to the specifics of the writer's artistic work as a representative of the dialect of Pokuttia, the semantic, word-forming, stylistic features of the nouns embodied in his works with the meaning of femininity are revealed. It is noted that the feminicon of his short stories is a close combination of all-literary, Western Ukrainian and Pokuttia lexical units, which is marked by the specifics of the author's artistic vision and immersion in the world of rural life. It is noted that the feminicon of his short stories is a close combination of all-literary, Western Ukrainian and Pokuttia lexical units, which is marked by the specifics of the author's artistic vision and immersion in the world of rural life. The processes of feminization and femininity in Vasyl Stefanyk's work are based on the vernacular, which made it possible to attract all the feminine richness of the then Ukrainian literary language for women's education and its realization along with masculinities. From the lexical-semantic point of view, it is the embodiment of commonly used and special nominations, the expansion of the semantic structure of femininities, and their use with specific meanings. In structural and word-forming terms, it is the realization of derived and non-derived words, the predominance of suffixal word-forming types over other derivatives, the expansion of the functionality of word-forming means. At the stylistic level, it is the accumulation of stylistically neutral and colored vocabulary, giving almost all nouns with the meaning of femininity a colloquial character and different connotative shades in the meaning. Consideration and interpretation of female images was based on deep legislation and the involvement of writers in the realities of Pokuttia life, which led to the integrated use of appropriate names of women.
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