苏联解体后乌兹别克斯坦“镇压受害者国家纪念博物馆”展览中对接触区的重新诠释

Kayoung Ko
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摘要

在苏联解体30周年之际,本文试图通过对博物馆展览的分析,研究乌兹别克斯坦作为前苏联国家之一,如何重新诠释其过去的历史(主要是在苏联时期)。与苏联解体后独立的其他中亚新生国家一样,乌兹别克斯坦的当务之急是“国家建设”。人们寻求了各种方法来建立一个独立国家的身份。其中之一是对苏联时期的解读发生了变化。中亚国家以苏联中央政府过去的错误为理由,提出了与苏联时代决裂的主张。此外,他们还把自己当作政治压迫的受害者,试图加强新独立国家的团结,并制造民族认同感。在展览中,乌兹别克斯坦将自己定位为被苏联征服的殖民地。殖民帝国的臣民不仅包括沙俄,还包括苏联中央政府。乌兹别克斯坦镇压博物馆的展览1和2重建了压迫的历史,从俄罗斯帝国,通过布尔什维克革命,社会主义建设,斯大林反恐和战后时期到改革时期。与棉花丑闻有关的镇压是乌兹别克斯坦独有的。第三展厅是乌兹别克斯坦的发展现状。在乌兹别克斯坦的镇压博物馆里,社会主义革命消失了。在这里,列宁为人民建立共同家园的理想变得微不足道,而这个理想被认为是不同于帝国主义的俄罗斯,一个人民的监狱。布尔什维克变成了与西方帝国无异的掠夺成性的殖民者。它只被描绘成一个残酷的帝国入侵的画像。同样,今天的乌兹别克斯坦独裁统治者为了巩固自己的民族国家,也在武断地解释过去。
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The Reinterpretation of the Contact Zone expressed in the Exhibition of the Uzbekistan “National Memorial Museum of the Victims of Repression” After the Dissolution USSR
This article, in the 30th anniversary of the Soviet Union dissolution, is an attempt to examine how Uzbekistan, among the countries of the former Soviet Union, reinterprets its past history (mainly during the Soviet period) through an analysis of museum exhibitions. The immediate task of Uzbekistan, like other new born countries in Central Asia, which became independent after the dissolution of the Soviet Union, was ‘nation-building’. Various ways have been sought to create the identity of an independent nation. One of them is the change of interpretation of the Soviet period. Central Asian countries are putting forward a break with the Soviet era, citing the mistakes of the Soviet central government in the past. In addition, they are trying to strengthen the solidarity of the newly independent nation and create a national identity by putting themselves as victims of political oppression. In the exhibition, Uzbekistan identifies itself with a colony conquered by the Soviet Republics. The subjects of the colonial empire include not only Tsarist Russia but also the Soviet central government. Exhibitions 1 and 2 of the Museum of Repression in Uzbekistan reconstruct the history of oppression moving from the imperial Russia, through the Bolshevik revolution, the socialist construction, Stalin counter-terrorism and post-war period to the perestroika period. The repression related to the cotton scandal is unique to Uzbekistan. And the 3rd exhibition room deals with the current development of Uzbekistan. In the Museum of Repression in Uzbekistan, the socialist revolution disappeared. And here Lenin s ideal of pursuing common prosperity by building a common home for the people that was considered to be different from imperial Russia, a prison for the people, became insignificant. The Bolsheviks changed into a plundering colonizers that are indistinguishable from the Western empires. It is portrayed only in the portrait of a harsh empire that has invaded. Likewise today s authoritarian rulers in Uzbekistan are arbitrarily interpreting the past in order to solidify their own nation-state.
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