和谐的不和谐:十九世纪的音乐和纽约市圣弗朗西斯泽维尔教堂

R. R. Grimes
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摘要

摘要:1847年,耶稣会第三次在纽约市建立教会的尝试获得成功。在经历了艰难的开始之后,他们于1851年在曼哈顿西16街开设了圣弗朗西斯泽维尔教区教堂,并很快成为这个国家快速发展的城市中最知名的教区之一。虽然教堂的建筑并不大,但在威廉·伯格(William berg)作为管风琴手和指挥家的指导下,它的音乐在整个城市和其他地方都很有名,在新教徒和天主教徒中都很有名。这些剧目受到多年来不断变化的音乐品味和教会立法以及该市其他天主教教堂的影响。曼哈顿的圣斯蒂芬和使徒圣保罗教区有时会与泽维尔争夺最好的或最“天主教”的音乐。泽维尔非常成功,到19世纪80年代,需要一个更大的教堂。从旧建筑到新建筑的迁移标志着教区及其音乐,社区和城市以及天主教会本身发生重大变化的时刻。
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Harmonious Discord: Nineteenth-Century Music and New York City's Church of St. Francis Xavier
Abstract:In 1847, the Jesuits succeeded on their third attempt to establish themselves in New York City. After a difficult beginning, in 1851 they opened the parish church of St. Francis Xavier on West 16th Street in Manhattan, and it soon became one of the most well-known parishes in the nation's fastgrowing city. Although the church building was not large in size, under the direction of William Bergé as organist and conductor, its music became famous throughout the city and beyond, as much with Protestants as with Catholics. The repertory was influenced by changing musical tastes and ecclesiastical legislation over the years and that of other Catholic churches in the city. The Manhattan parishes of St. Stephen's and St. Paul the Apostle sometimes vied with Xavier for the finest or the most "Catholic" music. Xavier was so successful that by the 1880s a much larger church was needed. The move from the old structure to the new one marked a significant moment of change in the parish and its music, the neighborhood and the city, and the Catholic Church itself.
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