古代突厥-突厥-哈萨克草原萨满教的起源与演变:历史与认知取向

B. Аtash, M. Тanzharov
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引用次数: 0

摘要

本文对萨满教进行了分析,正式分为以下几个阶段:世界萨满教的出现;2. 进入突厥-哈萨克大草原;3.萨满教复兴时代;4. 萨满教与伊斯兰教的竞争(平行)共存;5. 萨满教在哈萨克草原的毁灭或复兴;6. “新萨满教的尝试”。给出了各阶段的简要特点,最后对其可行性进行了总结。萨满教出现的时间只能大致确定,它讲述了萨满教在突厥-哈萨克草原的广泛传播和部署,以及与伊斯兰文化对话背景下的冲突和融合。萨满教在哈萨克草原的毁灭与苏联政府统治下的意识形态有关,在二十世纪的现代艺术中,特别是在音乐中,萨满教的原型元素给出了例子和类比。作为研究的结果,作者关注了可以称为整体文化的萨满教的出现,并得出了其生存能力的结论,在公共生活领域中保留了残余。但萨满教作为一个整体,被认为是一种神圣的,神秘的,神秘的现象。
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Genesis and Evolution of Shamanism in the Ancient Turkic-Turkic-Kazakh Steppes: Historical and Cognitive Orientations
In this article analysis of shamanism is carried out, which is formally divided into the following stages: 1. the emergence of world shamanism; 2. its entry into the Turkic-Kazakh steppe; 3. the era of the Revival of shamanism; 4. the competitive (parallel) coexistence of shamanism and Islam; 5. the destruction or revival of shamanism in the Kazakh steppe; 6. «an attempt of Neo-Shamanism». Each stage was given brief characteristics, and finally conclusions were made about its viability. The chronological time of the emergence of shamanism can be determined only approximately, it was told about the wide spread, deployment of shamanism in the Turkic-Kazakh steppe, about conflicts and convergence in the context of dialogue with Islamic culture. The destruction of shamanism in the Kazakh steppe is associated with the ideology under the Soviet government and examples and analogies were given by archetypal elements of shamanism in the modern art of the twentieth century, especially in music. As a result of the research, the author drew attention to the appearance of shamanism, which can be called an integral culture, and came to the conclusion about its viability, in which remnants are preserved in the spheres of public life. But shamanism as a whole was limited to being considered as a sacred, occultistic, mystical phenomenon.
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