沙姆西《烧焦的阴影》与《家火》的再东方倾向探析——东方的再东方化

Mamona Yasmin Khan, U. Farwa
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摘要

现代东方再东方化已成为南亚文学的一种新现象。本研究旨在分析沙姆西的小说《烧焦的阴影》和《家园之火》的再东方倾向。本文选择了Lau(2009)的“重新东方主义”框架和Said(1979)的“东方主义”基本概念进行分析。在此框架下,研究者从两部小说中随机选取了十个样本进行文本分析。分析表明,现代东方作为东方人和散居海外的穆斯林,在东道国遭遇了更多的仇恨和偏见。在伊斯兰恐惧症的概念下,新东方被贴上了恐怖主义的标签。有趣的是,这种表述不是由西方而是由后殖民作家自己给出的。后9/11小说突出了现代东方的解决问题,这使得它与传统的写作方式不同。可以对两部小说进行语言和语用分析。这两部小说可以从流散男性作家语言风格的异同进行比较。
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Exploration of Re-Oriental Tendencies in Shamsie’s Burnt Shadows and Home Fire: Re-Orientalization of the Orient
Re-orientalization of the modern orient has become a new phenomenon in South Asian Literature. This research tended to analyze the re-oriental tendencies in Shamsie’s critically acclaimed novels Burnt Shadows and Home Fire. Lau’s (2009) framework of Re-Orientalism was selected for the analysis along with the basic concepts of Said’s (1979) Orientalism. Within this framework, the researcher selected ten random samples from both novels for textual analysis. The analysis reveals that the modern orient encounters more hate and prejudice in the host country for being an orient and a diaspora Muslim. The new orient has been labeled as a terrorist under the concept of Islamophobia. This representation, interestingly, was not given by the Occident but by the postcolonial writer itself. Post-9/11 fiction highlights the settling issues of the modern orients significantly which make it different from the traditional ways of writing. A linguistic and pragmatic analysis of both novels can be done. Both novels can be compared in terms of similarities and differences in the linguistic styles of diasporic male authors.
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