论马赫什·达塔尼《像男人一样跳舞》中性别角色的批判

B. Ajmi
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引用次数: 0

摘要

Bharatanatyam是一种古老的印度古典舞蹈形式,起源于泰米尔纳德邦。在早期,它是由宫廷里的妓女表演的。后来,印度的精英阶层把它从devadasis中分离出来,使它更像一种商品。一个男人对这种艺术形式的热情在男权社会中引起了骚动。他的男子气概受到质疑,他被认为不如夸大的男子气概。在一个社会中,每个性别注定的特殊角色的打破导致了父权制内部的紧张。Mahesh Dattani的戏剧《像男人一样跳舞》探讨了性别歧视、刻板印象、性别角色和身份危机等主题。在现实中,由于性别歧视导致的男性问题并没有得到有效的讨论。这部剧试图通过Jairaj的角色来描绘一个性别歧视的男性受害者的形象。本文主要探讨了《像男人一样跳舞》中性别角色转换的问题、男性气质的问题以及社会对性别刻板印象的影响。
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A Critique of Gender Roles in Mahesh Dattani’s Dance Like a Man
Bharatanatyam is an ancient Indian classical dance form that originated from Tamil Nadu. It was performed by devadasis (prostitutes) in royal courts in the early period. Later, the elite Indian class separates it from devadasis and makes it more like a commodity. A man’s passion towards such kind of an art form creates commotion in a patriarchal society. His manhood is questioned and he is considered as inferior to the exaggerated version of masculinity. The breaking of particular roles which are destined to each gender in a society leads to tension within the patriarchy. Mahesh Dattani’s play Dance Like a Man explores themes like gender discrimination, stereotyping, gender roles and identity crisis. In reality, the problems of men due to gender discrimination is not discussed effectively. This play tries to give a clear picture of a male victim of gender discrimination through Jairaj’s character. The current research explores the problems in reversing gender roles, question on masculinity and involvement of society in carrying gender stereotypes as portrayed in Dance Like a Man.
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