侧翻的墙是桥

P. Farber
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引用次数: 0

摘要

1966年,黑人活动家安吉拉·戴维斯(Angela Davis)越过柏林墙进入东柏林,当时她还是一名哲学研究生。戴维斯大部分时间都在东柏林度过,后来她将自己在边境两侧的经历转化为美国监狱系统中反对隔离墙的主要声音。为了探索戴维斯作为一个关注隔离墙的作家和活动家的演变,本章回顾了20世纪60年代中期及以后东柏林和西柏林的表现。然后,这一章着眼于戴维斯如何发展和传递柏林墙作为一个象征,贯穿她在多个项目中的写作过程,并在她的自传中达到高潮。最后,这一章着眼于她自传的制作和流通,将其作为一个机会,将这一参考纳入戴维斯的过渡行动主义和通过替代外交电路的团结的更广泛的框架。在她的作品中,戴维斯将柏林墙变成了西方压迫的象征,或者完全忽略了它。在这样做的过程中,她将东柏林的阴谋、危险和绝望的预期故事转变为她自己的政治计划,以对抗美国的分裂。
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Walls Turned Sideways are Bridges
In 1966, Black activist Angela Davis crossed the wall’s boundary into East Berlin as a philosophy graduate student. Davis spent most of her time in East Berlin and later channelled her experiences on both sides of the border toward becoming a leading voice contesting walls in the U.S. prison system. To explore Davis’s own evolution as a writer and activist concerned with dividing walls, this chapter reviews the representations of East and West Berlin in the mid-1960s and beyond. The chapter then looks at how Davis developed and delivered the Wall as a symbol, throughout the course of her writing in multiple projects and culminating in her autobiography. Finally, the chapter looks to both the production and circulation of her autobiography as opportunities to place this reference into a broader framework of Davis’s transitional activism and solidarity through circuits of alternative diplomacy. In her writing, Davis transforms the Berlin Wall into a symbol of Western repression or ignores it entirely. In doing so, she inverts the expected tale of intrigue, danger, and despair in East Berlin toward her own political projects contesting American division.
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