{"title":"我们所知甚少!","authors":"Kevin A. Quarmby","doi":"10.18357/sremd31201920639","DOIUrl":null,"url":null,"abstract":"Kevin A. Quarmby situates the 2019 theatre scene within the context of social justice concerns prevalent in 2019. Not only did 2019 pass with all its political, social, and cultural discord painfully intact, but also the year’s focus on disparate, often localized events now appears quaintly ill-considered given the global problems that erupted in 2020. The varied articles in Scene’s 2019 issue offer a taste of what was, a reminder what we missed, and what we hoped would soon return.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"144 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Little Did We Know!\",\"authors\":\"Kevin A. Quarmby\",\"doi\":\"10.18357/sremd31201920639\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Kevin A. Quarmby situates the 2019 theatre scene within the context of social justice concerns prevalent in 2019. Not only did 2019 pass with all its political, social, and cultural discord painfully intact, but also the year’s focus on disparate, often localized events now appears quaintly ill-considered given the global problems that erupted in 2020. The varied articles in Scene’s 2019 issue offer a taste of what was, a reminder what we missed, and what we hoped would soon return.\",\"PeriodicalId\":153386,\"journal\":{\"name\":\"Scene: Reviews of Early Modern Drama\",\"volume\":\"144 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scene: Reviews of Early Modern Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18357/sremd31201920639\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scene: Reviews of Early Modern Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18357/sremd31201920639","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Kevin A. Quarmby situates the 2019 theatre scene within the context of social justice concerns prevalent in 2019. Not only did 2019 pass with all its political, social, and cultural discord painfully intact, but also the year’s focus on disparate, often localized events now appears quaintly ill-considered given the global problems that erupted in 2020. The varied articles in Scene’s 2019 issue offer a taste of what was, a reminder what we missed, and what we hoped would soon return.
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