《幽灵游行

R. S. Huffard
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引用次数: 0

摘要

结尾以一个关于南方铁路公司总裁塞缪尔·斯宾塞死于火车失事的小插曲开头,并探讨了这一时刻如何揭示了过去几十年南方铁路的变革。斯宾塞的死也是批评家们分享新南方成功故事的反面叙述的时刻,正如汤姆·沃森(Tom Watson)所说,“一群幽灵”困扰着斯宾塞的财富。然后,本章重述了本书的主要论点,并用“幽灵游行”作为隐喻来描述铁路和资本主义在该地区释放的焦虑。最终,新南方的支持者和白人精英们利用种族分裂、吉姆·克劳种族隔离和白人至上主义来转移人们对铁路怪物的注意力,并克服它们。资本主义和白人至上主义在新南方同步发展。结论部分讨论了讲故事和叙事如何继续成为资本主义成功的关键。本章最后讨论了约翰尼·卡什(Johnny Cash)的一部纪录片,这部纪录片关注的是火车歌曲,并指出南方的铁路现在大多进入了怀旧的领域。
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A Procession of Spectres
The conclusion opens with a vignette about the death of Southern Railway president Samuel Spencer in a train wreck and it looks at how this moment revealed how transformative the previous decades had been in southern railroading. Spencer’s death also was a moment for critics to share a counter narrative of the New South success story, as Tom Watson argued that “a procession of spectres” haunted Spencer’s wealth. The chapter then recaps the main arguments of the book, and uses the “procession of spectres” as a metaphor to describe the anxieties that railroads and capitalism unleashed in the region. In the end, New South boosters and white elites used racial division, Jim Crow segregation, and white supremacy to distract from and overcome the monsters of the railroad. Capitalism and white supremacy advanced in tandem through the New South. The conclusion then discusses how storytelling and narrative continue to be essential to the success of capitalism. The chapter closes with a discussion of a Johnny Cash documentary that focuses on train songs and notes how the South’s railroads have now mostly moved into the realm of nostalgia.
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Ubiquitous, Promiscuous, Frequent, and Numerous A Procession of Spectres Conjure the Railroad Damnable Conspiracies Fighting the Octopus
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