美国政治漫画中的巴勒斯坦和大英帝国,1917-1919

S. O. Buranok
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摘要

本文旨在分析第一次世界大战末期巴勒斯坦与大英帝国形象的形成过程。以美国漫画和期刊的资料为基础,分析了美国社会对巴勒斯坦态度演变的要点,揭示了对大英帝国特征认识的复杂性和矛盾性。对漫画的研究将有助于确定在讨论第一次世界大战、凡尔赛条约、国际联盟和授权制度的结果时,美国媒体中文字和视觉图像相互作用的性质。通过对漫画的研究,可以将美国人对巴勒斯坦的认知分为两个阶段:1)“浪漫”阶段和2)“批判”阶段。巴勒斯坦、英国殖民帝国和中东的新形象最初出现在报纸文章中,后来才出现在漫画中。1919年,围绕巴勒斯坦问题和英国在殖民地的内部安全模式,美国公众舆论中持道歉态度和持批评态度的两派之间的辩论,成为民主党和共和党之间围绕美国在国际联盟(League of Nations)中的角色展开的一场更为全球性的辩论的一部分。
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Palestine and the British Empire in US Political Cartoons, 1917-1919
The article is devoted to the analysis of the process of formation of the image of Palestine and the British Empire at the end of the First World War. On the basis of the materials of American cartoons and periodicals, the main points in the evolution of the attitude of American society to Palestine are considered, the complexities and contradictions in understanding the features of the British Empire are shown. The study of cartoons will help determine the nature of the interaction of textual and visual images in the US media during the discussion of the results of the First World War, the Treaty of Versailles, the League of Nations and the mandate system. Based on the study of cartoons, two stages in the perception of Palestine in the United States are distinguished: 1) “romantic” and 2) “critical”. New images of Palestine, the British colonial empire, and the Middle East first appeared in newspaper articles, and only later in cartoons. The debate between apologetic and critical strands of US public opinion regarding Palestine and the British model of internal security in the colonies became in 1919 one element of a more global debate between Democrats and Republicans about the role of the US in the League of Nations.
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