以用户为中心的创意旅游原型设计:马里博尔体验。

F. Bakas, Tiago Vinagre de Castro, Anastasia Osredkar
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引用次数: 0

摘要

本章讨论了如何使用以用户为中心的设计原则和情感映射来帮助旅游和文化从业者设计创意旅游体验的原型。创意旅游是对文化旅游的一种全新诠释,它在旅游体验中融入了积极参与、创造性自我表达、学习和社区参与的维度(Duxbury和Richards, 2019),并强调了与地点的沉浸式联系。一方面,要创造成功的创意旅游体验,重要的是旅游体验设计师要与最终用户/参与者感同身受,认同他们的需求和动机。通过采用以用户为中心的设计方法,这种同理心可以以实际的方式实现,然后纳入最终旅游体验的设计中。另一方面,情感映射加深了与地点的接触,通过多感官沉浸式探索练习培养,挑战参与者将地点与自己的情感和感受联系起来。
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User-centred design for creative tourism prototyping: the Maribor experience.
Abstract This chapter discusses how the principles of usercentred design and emotional mapping can be used to help tourism and culture practitioners design prototypes of creative tourism experiences. Creative tourism is a novel interpretation of cultural tourism that incorporates within the tourism experience the dimensions of active participation, creative self-expression, learning, and community engagement (Duxbury and Richards, 2019), underlined by an immersive connection to place. On one hand, to create successful creative tourism experiences, it is important that the tourism experience designers empathize with the end users/participants and identify with their needs and motivations. By adopting a user-centred design approach, this empathy can be achieved in practical ways and then included in the design of the final tourism experience. On the other hand, emotional mapping deepens engagement with places, fostered by a multisensorial immersive exploring exercise that challenges participants to link places to their own emotions and feelings.
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Co-creating subtle attractions. Why creative tourism won't work if residents are not involved: a tale of two cities. Linking creative tourism products to markets: target marketing, promotion, commercialization, and market readiness. Interview with Caroline Couret about the Creative Tourism Network ®. Pursuing creative tourism for positive transformation and sustainable development.
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