Espacialidad corpórea。服装和建筑之间的转移

Lucía Martín López, Carmelina De Jesús Martínez de la Cruz
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引用次数: 0

摘要

建筑和服装回应了身体空间的概念,其中空间是由身体和能量所定义的。从这一点出发,时尚可以被定义为一组短暂的可穿戴设备,它们在概念、结构、材料、符号学、美学、经济、社会和/或环境层面的学习往往受到建筑的启发,在其理解上留下印记;它是一种通过创造和实现的过程进行的交流。本文着重强调了时尚和建筑之间建立概念对话的横向路径,创造了相互的知识转移。为此目的,首先通过书目的组织来介绍该主题的最新状态,同时对两个学科中的任何一个都有效的历史比较,并作为许多研究问题方法的起点。其次,根据文本中反复出现的三个类别对文本进行分类:作为信息终端的建筑和服装;建筑和服装作为天然人造护套;建筑和服装之间的关系以及类型学和拓扑学的二项式。本文希望借助解释学的研究,通过这三种理解,继续围绕这两个学科展开对话。
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Espacialidad corpórea. Trasvases entre vestimenta y arquitectura
Architecture and clothing respond to the idea of corporeal spatiality in which space is defined by the bodies and energies contained in it. Starting from this, fashion can be defined as a set of ephemeral wearable devices whose learnings at a conceptual, structural, material, semiotic, aesthetic, economic, social and/or environmental levels are often inspired in architecture, leaving marks in its understanding; it is an ongoing exchange through its processes of creation and realization. This paper focuses in underlining the transversal paths by which fashion and architecture establish conceptual dialogues between them, creating a mutual knowledge transfer. For this purpose, an update of the state of the matter of the topic is presented in the first place through the organization of the bibliography, together with a historical comparison that is valid for either of the two disciplines and that serves as a starting point in the approach of numerous research questions. Secondly, a classification of the texts is shown according to three categories repeated numerous times in them: architecture and clothing as information terminals; architecture and clothing as natural-artificial sheaths; and the relationships between architecture and clothing and the typology-topology binomial. Using hermeneutics research, this paper expects to continue a dialogue around both disciplines through these three understandings.
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