{"title":"Nengsemaken in Surakarta Karaton Karawitan Performance","authors":"J. Daryanto","doi":"10.31763/VIPERARTS.V1I1.7","DOIUrl":null,"url":null,"abstract":"The Surakarta Karaton Karawitan which has lived and developed for centuries in the Javanese culture and its distribution leaves many questions, especially those related to the aesthetic concept of the Surakarta Karaton karawitan. The description of the Surakarta Karaton Karawitan musical concept as a reference for the Surakarta community has not been widely revealed. This article aims to reveal and describe one of the aesthetic concepts of the Surakarta Karaton Karawitan, namely the concept of nengsemaken. The paradigm of text and context is used to see the Surakarta Karaton Karawitan events as readable sentences or texts. Texts or sentences have tendency with certain meanings that show certain thoughts that ultimately produce meaning. The concept of interpretation of Clifford Geertz was used to read and interpret musical events in the Surakarta Karaton. From the study conducted, nengsemaken was interpreted as tan sora swarané, rempek rampak kabèh mung jinawil, and sajanturing ringgit.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"14 3","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Visual and Performing Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31763/VIPERARTS.V1I1.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
泗水Karaton Karawitan在爪哇文化中生存和发展了几个世纪,它的分布留下了许多问题,特别是与泗水Karaton Karawitan的美学概念有关的问题。关于苏拉塔卡拉顿卡拉维坦音乐概念作为苏拉塔社区参考的描述还没有被广泛披露。本文旨在揭示和描述苏拉卡塔卡拉顿卡拉维坦的美学概念之一,即nengsemaken的概念。文本和上下文的范式被用来将苏拉塔卡拉顿卡拉维坦事件视为可读的句子或文本。文本或句子具有具有一定意义的倾向,表现出最终产生意义的某些思想。克利福德·格尔茨的诠释概念被用来解读和诠释《泗水卡拉顿》中的音乐事件。根据所进行的研究,nengsemaken被解释为tan sora swaran, rempek rampak kab, mung jinawil和sajanturing lingit。
Nengsemaken in Surakarta Karaton Karawitan Performance
The Surakarta Karaton Karawitan which has lived and developed for centuries in the Javanese culture and its distribution leaves many questions, especially those related to the aesthetic concept of the Surakarta Karaton karawitan. The description of the Surakarta Karaton Karawitan musical concept as a reference for the Surakarta community has not been widely revealed. This article aims to reveal and describe one of the aesthetic concepts of the Surakarta Karaton Karawitan, namely the concept of nengsemaken. The paradigm of text and context is used to see the Surakarta Karaton Karawitan events as readable sentences or texts. Texts or sentences have tendency with certain meanings that show certain thoughts that ultimately produce meaning. The concept of interpretation of Clifford Geertz was used to read and interpret musical events in the Surakarta Karaton. From the study conducted, nengsemaken was interpreted as tan sora swarané, rempek rampak kabèh mung jinawil, and sajanturing ringgit.