Pub Date : 2023-11-28DOI: 10.31763/viperarts.v5i2.1217
Dat Bao
This scholarly article investigates the impact of diverse songs on second language (L2) learning, emphasizing cognitive, kinesthetic, and emotional engagement. This research recognizes songs as literary expressions, specifically through the lens of lyrics as literary texts, and explores their historical and ongoing significance in L2 education. Beyond linguistic proficiency, the article delves into the broader implications of integrating songs into language education. Educators observe that incorporating music fosters a positive learning environment, contributing to increased motivation and engagement among learners. The discussion in this article addresses the gaps in the integration of literary texts, including songs, into language education. It criticizes the tendency of tertiary foreign language programs to overemphasize 'literature' at the expense of linguistic aspects and the opposite approach at the lower secondary level, which focuses on linguistic aspects while neglecting literary involvement. The results of this literature review highlight the need to recognize the profound impact that literary texts, including songs, have on individual learners, urging the incorporation of artistic elements into language teaching practices in a more comprehensive and balanced manner. This article emphasizes that literature, through stories and narratives, contributes to the emotional development of learners, fostering empathy and understanding of 'otherness.' This research advocates the balanced and thoughtful integration of literature in FL classrooms, recognizing its capacity to go beyond language instruction and contribute to broader education and individual growth.
{"title":"Exploring the impact of songs on student cognitive and emotional development","authors":"Dat Bao","doi":"10.31763/viperarts.v5i2.1217","DOIUrl":"https://doi.org/10.31763/viperarts.v5i2.1217","url":null,"abstract":"This scholarly article investigates the impact of diverse songs on second language (L2) learning, emphasizing cognitive, kinesthetic, and emotional engagement. This research recognizes songs as literary expressions, specifically through the lens of lyrics as literary texts, and explores their historical and ongoing significance in L2 education. Beyond linguistic proficiency, the article delves into the broader implications of integrating songs into language education. Educators observe that incorporating music fosters a positive learning environment, contributing to increased motivation and engagement among learners. The discussion in this article addresses the gaps in the integration of literary texts, including songs, into language education. It criticizes the tendency of tertiary foreign language programs to overemphasize 'literature' at the expense of linguistic aspects and the opposite approach at the lower secondary level, which focuses on linguistic aspects while neglecting literary involvement. The results of this literature review highlight the need to recognize the profound impact that literary texts, including songs, have on individual learners, urging the incorporation of artistic elements into language teaching practices in a more comprehensive and balanced manner. This article emphasizes that literature, through stories and narratives, contributes to the emotional development of learners, fostering empathy and understanding of 'otherness.' This research advocates the balanced and thoughtful integration of literature in FL classrooms, recognizing its capacity to go beyond language instruction and contribute to broader education and individual growth.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"116 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139218713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-27DOI: 10.31763/viperarts.v5i2.1083
Athifa Sri Ismiranti, Akhmadi Akhmadi, A. Arumsari, Mahendra Nur Hadiansyah, Alfito Aji Denandra, Sarah Nurul Azizah
There are many alterations and adaptations of the workspaces after the Covid-19 pandemic. Nowadays, workspaces are required to have flexibility in facilitating physical and virtual activities, work-from-home (WFH), and work-from-office (WFO) activities. Besides, workspaces must provide comfort based on user preferences and demand to support workers’ health and productivity. In order to answer these problems, the design of interactive digital devices that can be adjusted according to physical needs, activities, and preferences is needed to support the ideal workspace comfort. The research method used in this research is a literature review related to ideal workspace comfort standards and an assessment of the Arduino as an interactive digital device to produce an interactive digital device method design that can detect ideal comfort and be applied to workspaces. The result shows that as an interactive digital device, Arduino can be implemented in a workspace to detect and produce ideal workspace comfort regarding lighting, noise, temperature, and humidity. Arduino also supports flexibility and varied demand in a workspace because of its adjustable artificial intelligence feature. The ideal standard of workspace differs based on the activities and geographical conditions of the country and is related to the varied preferences of its users. Based on its complexity, for further research to be carried out, it is recommended to conduct a case study of ideal workspace interior design with an Arduino device in a specific place to generate more accurate data and suitable workspace design.
{"title":"Method design of interactive digital devices to support the workspace comfort","authors":"Athifa Sri Ismiranti, Akhmadi Akhmadi, A. Arumsari, Mahendra Nur Hadiansyah, Alfito Aji Denandra, Sarah Nurul Azizah","doi":"10.31763/viperarts.v5i2.1083","DOIUrl":"https://doi.org/10.31763/viperarts.v5i2.1083","url":null,"abstract":"There are many alterations and adaptations of the workspaces after the Covid-19 pandemic. Nowadays, workspaces are required to have flexibility in facilitating physical and virtual activities, work-from-home (WFH), and work-from-office (WFO) activities. Besides, workspaces must provide comfort based on user preferences and demand to support workers’ health and productivity. In order to answer these problems, the design of interactive digital devices that can be adjusted according to physical needs, activities, and preferences is needed to support the ideal workspace comfort. The research method used in this research is a literature review related to ideal workspace comfort standards and an assessment of the Arduino as an interactive digital device to produce an interactive digital device method design that can detect ideal comfort and be applied to workspaces. The result shows that as an interactive digital device, Arduino can be implemented in a workspace to detect and produce ideal workspace comfort regarding lighting, noise, temperature, and humidity. Arduino also supports flexibility and varied demand in a workspace because of its adjustable artificial intelligence feature. The ideal standard of workspace differs based on the activities and geographical conditions of the country and is related to the varied preferences of its users. Based on its complexity, for further research to be carried out, it is recommended to conduct a case study of ideal workspace interior design with an Arduino device in a specific place to generate more accurate data and suitable workspace design.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139234533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-10DOI: 10.31763/viperarts.v5i2.1163
A. Wibawa, Adjie Rosyidin, Fitriana Kurniawati, Gwinny Tirza Rarastri, I. Zaeni, S. Suyono, Agung Bella Putra Utama, F. Dwiyanto
Indonesia is a country that has a variety of cultural arts, one of which is shadow puppetry (Wayang). Wayang, in a staged, simple, and minimalist manner, is called Wayang Climen. Wayang Climen has been performed since the COVID-19 pandemic as a solution to keep working while still complying with health protocols. Utilization through YouTube social media attracts people to watch and provide opinions through comments. This opinion is beneficial and can be used as a feasibility study through sentiment analysis information classified as positive, negative, and neutral opinions. Sentiment analysis determines a person's opinion and tendency to opinionated sentences. The methods used are Random Forest (RF), Support Vector Machine (SVM), and Naïve Bayes (NB). The dataset comes from YouTube comments of Dalang Seno and Ki Seno Nugroho. The best accuracy is generated by SVM (70.29%). The positive sentiment shows the public's appreciation for the Wayang Climen performance, which ultimately represents the performance even though it is staged densely. This research contributes to effectively utilizing digital platforms for cultural preservation and audience engagement during challenging times, demonstrating the potential for innovative solutions in traditional arts and entertainment.
印度尼西亚是一个拥有多种文化艺术的国家，皮影戏（Wayang）就是其中之一。以舞台化、简单和简约的方式表演的瓦扬被称为 "Wayang Climen"。自 COVID-19 大流行以来，Wayang Climen 一直在表演，作为一种既能继续工作，又能遵守卫生协议的解决方案。通过 YouTube 社交媒体的使用，吸引了人们观看并通过评论提供意见。这种意见是有益的，可通过情感分析信息将其分为正面、负面和中性意见，以此作为可行性研究。情感分析可确定一个人的观点和对观点性句子的倾向。使用的方法有随机森林（RF）、支持向量机（SVM）和奈夫贝叶斯（NB）。数据集来自 YouTube 上 Dalang Seno 和 Ki Seno Nugroho 的评论。SVM 的准确率最高（70.29%）。积极情绪显示了公众对瓦扬克里门表演的赞赏，尽管表演的舞台很密集，但这最终代表了表演。这项研究有助于在充满挑战的时代有效利用数字平台进行文化保护和观众参与，展示了传统艺术和娱乐创新解决方案的潜力。
{"title":"Mining the public sentiment for wayang climen preservation and promotion","authors":"A. Wibawa, Adjie Rosyidin, Fitriana Kurniawati, Gwinny Tirza Rarastri, I. Zaeni, S. Suyono, Agung Bella Putra Utama, F. Dwiyanto","doi":"10.31763/viperarts.v5i2.1163","DOIUrl":"https://doi.org/10.31763/viperarts.v5i2.1163","url":null,"abstract":"Indonesia is a country that has a variety of cultural arts, one of which is shadow puppetry (Wayang). Wayang, in a staged, simple, and minimalist manner, is called Wayang Climen. Wayang Climen has been performed since the COVID-19 pandemic as a solution to keep working while still complying with health protocols. Utilization through YouTube social media attracts people to watch and provide opinions through comments. This opinion is beneficial and can be used as a feasibility study through sentiment analysis information classified as positive, negative, and neutral opinions. Sentiment analysis determines a person's opinion and tendency to opinionated sentences. The methods used are Random Forest (RF), Support Vector Machine (SVM), and Naïve Bayes (NB). The dataset comes from YouTube comments of Dalang Seno and Ki Seno Nugroho. The best accuracy is generated by SVM (70.29%). The positive sentiment shows the public's appreciation for the Wayang Climen performance, which ultimately represents the performance even though it is staged densely. This research contributes to effectively utilizing digital platforms for cultural preservation and audience engagement during challenging times, demonstrating the potential for innovative solutions in traditional arts and entertainment.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"252 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139281473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-10DOI: 10.31763/viperarts.v5i2.1165
George Malaperdas, Aggeliki Barberopoulou
The purpose of this paper is to highlight the use of digital mapping and GIS in combination with 3D geo-visualization in depicting landscapes and cultural heritage sites. As computers evolve in their processing capabilities (graphics card, processor, memory speed), so does the graphical output representing our world that can be done in less time. Short processing times and available highly sophisticated software create conditions to test existing models of our 3D world or best create alternative renderings of monuments and landscapes. A study area has been chosen to present such a methodology. Ancient Pylos was selected as the study area due to the abundance of bibliographic references available, facilitating the creation of a cartographic representation of the region based on archaeological discoveries and historical sources. The advantages of employing 3D geo-visualizations in archaeology are numerous and are examined within this article. Visual imaging aids archaeologists in elucidating intricate or deficient details pertaining to a monument, simultaneously streamlining archaeological data for easier comprehension by the general public. The use of 3D geo-visualization to represent data and other non-photorealistic details is expected to dominate in the near future.
{"title":"Mapping Art: 3D geo-visualization and virtual worlds in cultural heritage","authors":"George Malaperdas, Aggeliki Barberopoulou","doi":"10.31763/viperarts.v5i2.1165","DOIUrl":"https://doi.org/10.31763/viperarts.v5i2.1165","url":null,"abstract":"The purpose of this paper is to highlight the use of digital mapping and GIS in combination with 3D geo-visualization in depicting landscapes and cultural heritage sites. As computers evolve in their processing capabilities (graphics card, processor, memory speed), so does the graphical output representing our world that can be done in less time. Short processing times and available highly sophisticated software create conditions to test existing models of our 3D world or best create alternative renderings of monuments and landscapes. A study area has been chosen to present such a methodology. Ancient Pylos was selected as the study area due to the abundance of bibliographic references available, facilitating the creation of a cartographic representation of the region based on archaeological discoveries and historical sources. The advantages of employing 3D geo-visualizations in archaeology are numerous and are examined within this article. Visual imaging aids archaeologists in elucidating intricate or deficient details pertaining to a monument, simultaneously streamlining archaeological data for easier comprehension by the general public. The use of 3D geo-visualization to represent data and other non-photorealistic details is expected to dominate in the near future.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139280974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-10DOI: 10.31763/viperarts.v5i2.1164
K. Karsono
Music festivals are social and cultural events mostly seen as activities to present artistic expressions for the audience to enjoy. If it is investigated closely, the presentation of work at festivals is the final culmination of training and learning, both of which are essential elements of the educational process. This research aims to examine and show that music festivals have educational elements, even in the context of tourism interests. The music festival studied was the Angklung Caruk Festival, a type of traditional music from the Osing community. The festival competes for musical skills between student angklung groups in Banyuwangi, East Java. The research uses ethnographic methods to discover and explain the intersection between festivals' education and tourism dimensions. Data collection uses participant observation techniques, interviews, document study, and documentation. Data analysis uses an ethnographic model, including domain analysis, taxonomy, components, and cultural themes. The research results show that the Angklung Caruk music festival is an arena for competition in the beauty of musical works between student groups to achieve victory. This competition has become a tourism commodity packaged under the title Banyuwangi Festival. To present their best musical works, each angklung group receives intensive and profound education from professional musicians, with the support of the school, government, and parents. Thus, the Angklung Caruk Festival is an arena for reproducing Osing traditional music culture which has an economic and educational dimension. It has an impact on strengthening the identity and social repositioning of the Osing community in the present and future.
{"title":"Tourism and education intersection: cultural reproduction of Osing community in the Angklung Caruk music festival","authors":"K. Karsono","doi":"10.31763/viperarts.v5i2.1164","DOIUrl":"https://doi.org/10.31763/viperarts.v5i2.1164","url":null,"abstract":"Music festivals are social and cultural events mostly seen as activities to present artistic expressions for the audience to enjoy. If it is investigated closely, the presentation of work at festivals is the final culmination of training and learning, both of which are essential elements of the educational process. This research aims to examine and show that music festivals have educational elements, even in the context of tourism interests. The music festival studied was the Angklung Caruk Festival, a type of traditional music from the Osing community. The festival competes for musical skills between student angklung groups in Banyuwangi, East Java. The research uses ethnographic methods to discover and explain the intersection between festivals' education and tourism dimensions. Data collection uses participant observation techniques, interviews, document study, and documentation. Data analysis uses an ethnographic model, including domain analysis, taxonomy, components, and cultural themes. The research results show that the Angklung Caruk music festival is an arena for competition in the beauty of musical works between student groups to achieve victory. This competition has become a tourism commodity packaged under the title Banyuwangi Festival. To present their best musical works, each angklung group receives intensive and profound education from professional musicians, with the support of the school, government, and parents. Thus, the Angklung Caruk Festival is an arena for reproducing Osing traditional music culture which has an economic and educational dimension. It has an impact on strengthening the identity and social repositioning of the Osing community in the present and future.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139281083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-01DOI: 10.31763/viperarts.v5i1.1066
Ariani Wardhani, Hanisa Hasan
This research aims to conduct a semiotic intertextual analysis of beauty influencers on YouTube. Specifically, the study centers on two prominent beauty influencers, Andra Alodita, and Kornelia Meilinda, and their strategies for effectively promoting recommended lipstick products. The research was conducted employing a qualitative approach, utilizing Peirce's semiotic theory. The findings reveal that beauty influencers strategically employ visual elements to convey meaning and captivate viewers' attention. Both Andra Alodita and Kornelia Meilinda meticulously craft their content, considering factors such as color schemes, backgrounds, and object placement. They adopt distinct approaches to reviewing lipstick products tailored to diverse audiences and preferences. This multiplicity of perspectives enhances the complexity of semiotic elements within beauty influencer content and broadens the spectrum of meanings conveyed to viewers. Furthermore, the findings underscore the significance of semiotic intertextuality as a potent tool for beauty influencers to shape meaning, influence perceptions, and resonate with their extensive audience. These findings offer valuable insights for marketers, brands, and content creators seeking to leverage semiotics' potential in shaping beauty trends and consumer behavior.
{"title":"A semiotic intertextual analysis of beauty influencers' communication strategies on youtube: uncovering meaning and influence by using Pierce's framework","authors":"Ariani Wardhani, Hanisa Hasan","doi":"10.31763/viperarts.v5i1.1066","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.1066","url":null,"abstract":"This research aims to conduct a semiotic intertextual analysis of beauty influencers on YouTube. Specifically, the study centers on two prominent beauty influencers, Andra Alodita, and Kornelia Meilinda, and their strategies for effectively promoting recommended lipstick products. The research was conducted employing a qualitative approach, utilizing Peirce's semiotic theory. The findings reveal that beauty influencers strategically employ visual elements to convey meaning and captivate viewers' attention. Both Andra Alodita and Kornelia Meilinda meticulously craft their content, considering factors such as color schemes, backgrounds, and object placement. They adopt distinct approaches to reviewing lipstick products tailored to diverse audiences and preferences. This multiplicity of perspectives enhances the complexity of semiotic elements within beauty influencer content and broadens the spectrum of meanings conveyed to viewers. Furthermore, the findings underscore the significance of semiotic intertextuality as a potent tool for beauty influencers to shape meaning, influence perceptions, and resonate with their extensive audience. These findings offer valuable insights for marketers, brands, and content creators seeking to leverage semiotics' potential in shaping beauty trends and consumer behavior.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139330815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-25DOI: 10.31763/viperarts.v5i1.960
Ade Kurniawan Suhardi, Bambang Sunarto
Kelong, or 'singing,' is one of the main elements in the gandrang bulo dance. Kelong is usually presented simultaneously with elements of pakakkala' (funny) dance and drama/acting that are satire. Kelong is meant to be educational, while pakakkala' and satire are entertaining humor. So far, most appreciators are more interested in entertaining humor than curiosity about the meaning of the kelong. This paper aims to reveal the description of the kelong presentation portion in the gandrang bulo dance phenomenon. This article also tries to articulate the meaning of education and motivation to stimulate an awareness that teaches that life is not vanity. The implementation of the research uses descriptive qualitative methods by prioritizing the collection of musical data and verbal data as a unit of analysis. The finding of this study is the presence of contrasting and proportionless elements, giving rise to a quasi-encouraging audience appreciation of the meaning of kelong education. The significance of this research is to encourage the growth of creativity in the placement and utilization of kelong in its presentation in gandrang bulo dance, thus producing a truly encouraging audience appreciation
{"title":"Kelong in the Context of the gandrang bulo Dance in Makassar","authors":"Ade Kurniawan Suhardi, Bambang Sunarto","doi":"10.31763/viperarts.v5i1.960","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.960","url":null,"abstract":"Kelong, or 'singing,' is one of the main elements in the gandrang bulo dance. Kelong is usually presented simultaneously with elements of pakakkala' (funny) dance and drama/acting that are satire. Kelong is meant to be educational, while pakakkala' and satire are entertaining humor. So far, most appreciators are more interested in entertaining humor than curiosity about the meaning of the kelong. This paper aims to reveal the description of the kelong presentation portion in the gandrang bulo dance phenomenon. This article also tries to articulate the meaning of education and motivation to stimulate an awareness that teaches that life is not vanity. The implementation of the research uses descriptive qualitative methods by prioritizing the collection of musical data and verbal data as a unit of analysis. The finding of this study is the presence of contrasting and proportionless elements, giving rise to a quasi-encouraging audience appreciation of the meaning of kelong education. The significance of this research is to encourage the growth of creativity in the placement and utilization of kelong in its presentation in gandrang bulo dance, thus producing a truly encouraging audience appreciation","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126396380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-25DOI: 10.31763/viperarts.v5i1.910
I. Sugita, I. G. T. Pastika, I. M. G. Puasa
Drama gong is a traditional Balinese performing art that was once popular and favored by the Balinese. Since the 1990s, traditional art has been pressured with modern art, so efforts to revitalize and innovate drama gong need to be carried out. One of the efforts made by Balinese artists is to create a digital drama gong model with the name Drama Keraton Cilinaya. This qualitative descriptive study aims to determine the development model of drama gong performances in the digital era. Research data were collected through document study, participant observation, and interviews. The results of the study show that the development of the Drama Keraton Cilinaya as a model of drama gong in the digital era is a form of traditional Balinese performing arts that has undergone internal and external innovation. The internal innovations carried out involve: (1) having an open mindset towards the players; (2) innovation in terms of story packaging; (3) improving the competence of drama gong players; (4) the use of multi-language (5) the regeneration of players; (6) improvement of makeup and costumes; (7) using digital music; and (8) improvement of stage layout. External innovations were carried out regarding collaboration with artists other than drama gong to get involved, as well as the application of digital technology in the packaging process of drama gong performance products and the distribution of drama gong products to be broadcast through TV media and Youtube Channels.
{"title":"Development of a drama gong performance model: an effort to preserve the Balinese traditional drama in the digital era","authors":"I. Sugita, I. G. T. Pastika, I. M. G. Puasa","doi":"10.31763/viperarts.v5i1.910","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.910","url":null,"abstract":"Drama gong is a traditional Balinese performing art that was once popular and favored by the Balinese. Since the 1990s, traditional art has been pressured with modern art, so efforts to revitalize and innovate drama gong need to be carried out. One of the efforts made by Balinese artists is to create a digital drama gong model with the name Drama Keraton Cilinaya. This qualitative descriptive study aims to determine the development model of drama gong performances in the digital era. Research data were collected through document study, participant observation, and interviews. The results of the study show that the development of the Drama Keraton Cilinaya as a model of drama gong in the digital era is a form of traditional Balinese performing arts that has undergone internal and external innovation. The internal innovations carried out involve: (1) having an open mindset towards the players; (2) innovation in terms of story packaging; (3) improving the competence of drama gong players; (4) the use of multi-language (5) the regeneration of players; (6) improvement of makeup and costumes; (7) using digital music; and (8) improvement of stage layout. External innovations were carried out regarding collaboration with artists other than drama gong to get involved, as well as the application of digital technology in the packaging process of drama gong performance products and the distribution of drama gong products to be broadcast through TV media and Youtube Channels.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"234-235 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134126502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-06DOI: 10.31763/viperarts.v5i1.906
Amin Aminudin, Anam Abrar, N. Kurnia
The digital era has changed all aspects of life, including the aspects of the broadcasting industry. The presence of internet technology also presents a new system in the broadcasting industry. changes in the broadcasting system have also resulted in business diversification in the broadcasting industry. in this digital era, it has also tightened the business competition in the broadcasting industry such as Banten TV. The formulation of the problem in this study is how to transform and diversify Banten TV's business in maintaining the broadcasting industry business. The method used in this study is a qualitative method with a case study approach by exploring the transformation and Diversification of the Banten TV Business, the paradigm used is constructivism with the theory of media ecology from Marshall McLuhan. Hasi research shows that Banten TV as the largest local television in Banten province transforms broadcast content by broadcasting entertainment and local wisdom such as the local culture and religion in Banten province. With broadcast coverage using a 5000-watt transmitter, it certainly has a potential role in raising local wisdom with a very wide radiance, the transformation of Banten TV broadcast content is carried out by raising a religious superior program with the name of the Sholawat program (Solusi Tepat Per erat Umat) as a superior program in raising local wisdom in Banten which is religious and also the exploration of tourist destinations in the Banten region. In addition to transforming content, Banten TV also diversified its business by creating television program programs in collaboration with the Banten provincial government as a strategy for increasing the company's economic value.
数字时代改变了生活的方方面面，包括广播行业的方方面面。互联网技术的出现也为广播行业带来了新的体系。广播体制的变化也导致了广播行业的业务多样化。在这个数字时代，它也加剧了万腾电视等广播行业的业务竞争。本文研究的问题是万腾电视如何在维持广电行业业务的同时实现业务的转型和多元化。本研究采用定性研究和个案研究相结合的方法，探讨万腾电视业务的转型与多元化，研究范式为建构主义和麦克卢汉的媒介生态理论。Hasi的研究表明，万丹电视台作为万丹省最大的地方电视台，通过传播娱乐和万丹省当地文化、宗教等地方智慧来改造广播内容。使用5000瓦的发射机进行广播覆盖，当然在提升当地智慧方面具有非常广泛的潜在作用，万丹电视广播内容的转变是通过提升一个名为Sholawat的宗教高级节目(Solusi Tepat Per erat Umat)作为提升万丹当地智慧的高级节目，这是宗教的，同时也是对万丹地区旅游目的地的探索。除了内容转型外，万丹TV还与万丹省政府合作制作了电视节目，作为提高公司经济价值的战略，实现了业务多元化。
{"title":"Transformation and Diversification of Banten TV Business as Local Television Industry in the Digital Era","authors":"Amin Aminudin, Anam Abrar, N. Kurnia","doi":"10.31763/viperarts.v5i1.906","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.906","url":null,"abstract":"The digital era has changed all aspects of life, including the aspects of the broadcasting industry. The presence of internet technology also presents a new system in the broadcasting industry. changes in the broadcasting system have also resulted in business diversification in the broadcasting industry. in this digital era, it has also tightened the business competition in the broadcasting industry such as Banten TV. The formulation of the problem in this study is how to transform and diversify Banten TV's business in maintaining the broadcasting industry business. The method used in this study is a qualitative method with a case study approach by exploring the transformation and Diversification of the Banten TV Business, the paradigm used is constructivism with the theory of media ecology from Marshall McLuhan. Hasi research shows that Banten TV as the largest local television in Banten province transforms broadcast content by broadcasting entertainment and local wisdom such as the local culture and religion in Banten province. With broadcast coverage using a 5000-watt transmitter, it certainly has a potential role in raising local wisdom with a very wide radiance, the transformation of Banten TV broadcast content is carried out by raising a religious superior program with the name of the Sholawat program (Solusi Tepat Per erat Umat) as a superior program in raising local wisdom in Banten which is religious and also the exploration of tourist destinations in the Banten region. In addition to transforming content, Banten TV also diversified its business by creating television program programs in collaboration with the Banten provincial government as a strategy for increasing the company's economic value.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117310801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-06DOI: 10.31763/viperarts.v5i1.1044
M. Rosandini, Dewi Isma Aryani, Elliati Djakaria, Riana Plourida Hura, Nadiah Salsabila, Jeng Oetari, Prafitra Viniani, Roro Retno Wulan
LORI SME (Small and Medium Enterprise), operating as a producer of fashion accessories characterized by local craftsmanship, encounters challenges in accommodating diverse customer preferences due to resource constraints. To unleash its full potential, there exists a pressing need to adopt innovative design methodologies. This research endeavors to investigate the application of a modular design approach as a strategic solution for augmenting the variety of LORI SME accessories, thereby facilitating the creation of a range of jewelry products that can be easily tailored and adapted to meet individual customer requirements. The study utilizes a qualitative research methodology, encompassing literature reviews, interviews with the owner, exploration of visual motifs and materials, and practice-based research. The findings of this research illuminate that the adoption of a modular design approach significantly enhances the diversity of LORI SME's jewelry offerings, particularly in the case of its necklace products. This modular approach provides SMEs with a broader array of customizable necklace options characterized by distinctive local motifs and high craftsmanship value. These findings furnish valuable insights for SMEs within the LORI SME sector aiming to expand their product portfolios. Additionally, they offer guidance to designers and artisans regarding the potential advantages and challenges associated with the incorporation of modular design strategies in the broader context of small business innovation and product development.
{"title":"Leveraging the modular design approach to enhance variation of SME LORI jewelry","authors":"M. Rosandini, Dewi Isma Aryani, Elliati Djakaria, Riana Plourida Hura, Nadiah Salsabila, Jeng Oetari, Prafitra Viniani, Roro Retno Wulan","doi":"10.31763/viperarts.v5i1.1044","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.1044","url":null,"abstract":"LORI SME (Small and Medium Enterprise), operating as a producer of fashion accessories characterized by local craftsmanship, encounters challenges in accommodating diverse customer preferences due to resource constraints. To unleash its full potential, there exists a pressing need to adopt innovative design methodologies. This research endeavors to investigate the application of a modular design approach as a strategic solution for augmenting the variety of LORI SME accessories, thereby facilitating the creation of a range of jewelry products that can be easily tailored and adapted to meet individual customer requirements. The study utilizes a qualitative research methodology, encompassing literature reviews, interviews with the owner, exploration of visual motifs and materials, and practice-based research. The findings of this research illuminate that the adoption of a modular design approach significantly enhances the diversity of LORI SME's jewelry offerings, particularly in the case of its necklace products. This modular approach provides SMEs with a broader array of customizable necklace options characterized by distinctive local motifs and high craftsmanship value. These findings furnish valuable insights for SMEs within the LORI SME sector aiming to expand their product portfolios. Additionally, they offer guidance to designers and artisans regarding the potential advantages and challenges associated with the incorporation of modular design strategies in the broader context of small business innovation and product development.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139370728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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