Sohiba Madirimova
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摘要

“Mazhmui muhammasoti ash-shuaroi Feruzshakhiy”合集是Khorezm文学环境中作者抒情作品的最大来源。根据国王的法令,这个建筑群是由塔比比在十九世纪下半叶建造的。它包括作者同时代人的诗歌范例。这份资料提供了有关当时文学环境的宝贵资料,目前存放在乌兹别克斯坦共和国科学院阿布·雷汉·贝鲁尼东方研究所的主要基金中,编号为1134。这部合集与其他合集的不同之处在于其流派的构成,即穆罕默德。其中最受欢迎的诗人之一是Mutrib Hanaharab ibn Muhammad Hasan Devan Haji Tabib。本文分析了Mutrib Hanaharabi的穆罕默德,他们与诗人大师Agahi和Feruz的gazalles有关。穆罕默德经的艺术特征得到了研究,这在手写的抄本中是没有的。诗歌杂志的分量、意义和新颖性,以及内容的进化性,都得到了原始来源的证明。在文集中介绍的诗人的穆罕默德和穆萨达诗与手稿中的诗句进行了比较,并在考据学和来源研究领域进行了研究。
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Mutrib's mukhammasses in the collection “Mazhmui mukhammasoti ash-shuaroi Feruzshakhiy”
The collection “Mazhmui muhammasoti ash-shuaroi Feruzshakhiy” is the largest source of lyric works by the authors of the Khorezm literary environment. According to the king’s decree, the complex was formed in the second half of the XIX sentury by Tabibi. It includes examples of poetry by contemporaries of the author. This resource, which provides valuable information about the literary environment of its time, is now stored in the main fund of the Abu Rayhan Beruni Institute of Oriental Studies at the Academy of Sciences of the Republic of Uzbekistan under number 1134. The collection differs from other collections in the composition of the genre, that is, muhammas. One of the collection’s most popular poets is Mutrib Hanaharab ibn Muhammad Hasan Devan Haji Tabib.The article analyzes the muhammas of Mutrib Hanaharabi, who are associated with the gazalles of master poets Agahi and Feruz. The artistic features of the Mutrib muhammasses are studied, which are not in handwritten copies. The weight, significance and novelty of the poetic gazal, as well as the evolutionary nature of the content, are proven by the original sources. Muhammasses and musaddasses of the poet, which are introduced in the collection, are compared with verses in manuscripts and studied in the fields of textology and source study.
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