超越肤浅:斯科特·韦斯特菲尔德的《丑角》中美的理想与身份危机的关系

Umniah Muhammed Abdulkareem, T. Taha
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引用次数: 0

摘要

《丑角》(2005)是斯科特·韦斯特菲尔德《丑角》系列小说的第一部。这是一部以未来主义为背景的文学作品,描绘了一个反乌托邦的世界,在这个世界里,人们专注于非自然的审美标准。在一个科学与小说交织的领域,美、身份和洗脑的潜在影响的主题占据了中心舞台,邀请读者深入研究这些相互关联的概念的复杂性。小说的情节还涉及到围绕整容手术有害影响的思辨论述,从而产生了一种知识环境,在这种环境中,这种做法的后果被严格审查和辩论。借鉴埃里克·埃里克森的身份发展理论(1950)和亨利·塔杰费尔和约翰·特纳的社会身份理论(1979)作为理论框架,本研究旨在分析对美的理想的追求如何有助于形成一种外在吸引但内心矛盾的自我形象。
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Beyond Skin-Deep: The Relationship between Beauty Ideals and Identity Crisis in Scott Westerfeld's Uglies
Uglies (2005) is the first in Scott Westerfeld's Uglies series of novels. It is a literary work with a futuristic scenario thaP depicts a dystopian world in which people are preoccupied with unnatural standards of beauty. In a realm where science and fiction intertwine, the themes of beauty, identity, and the insidious influence of brainwashing take center stage, inviting readers to delve into the complexities of these interconnected concepts. The tapestry of the novel also involves a speculative discourse surrounding the deleterious implications of cosmetic surgery, thereby engendering an intellectual milieu wherein the ramifications of such practices are rigorously examined and debated. Drawing upon Erik Erikson's identity development theory (1950) and Henri Tajfel and John Turner's social identity theory (1979) as theoretical frameworks, this research paper aims to present an analysis of how the pursuit of beauty ideals contributes to the formation of an externally appealing but inwardly conflicted self-image.
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