帕维尔·瓦西里耶夫《人栖动物》中的阿纳斯塔西娅和尤金妮娅

Z. Temirgazina
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摘要

摘要本文考察了帕维尔·瓦西里耶夫文学文本中拟人词的使用特点,这些拟人词在艺术和风格上具有识别功能。拟人词是瓦西里耶夫的拟声词表中最常见的类群之一。特别值得注意的是两个女性名字的使用:Anastasia和Eugenia。阿纳斯塔西娅是瓦西里耶夫诗歌中最常见的女性名字。有一种说法是,诗人的初恋是这个女孩的名字。这个名字是由瓦西里耶夫七部作品中的不同人物所取的。它往往处于称呼的句法位置,体现了对女主的情感主体性态度。第二个名字尤金尼亚·斯坦曼(Eugenia Stanman)有一个真正的原型——一个在巴甫洛达尔与诗人在同一个班级学习的女孩。这个拟人词被用作童年、青年的象征(“Eugenia Stanman”)和新生活建设的象征(“Turksib”),从而在瓦西里耶夫的诗意世界图景中发挥了艺术和风格的作用。关键词:人名;帕维尔·瓦西里耶夫;艺术与风格功能;
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ANASTASIA AND EUGENIA IN THE ANTHROPONYMICON BY PAVEL VASILIEV
Abstract. The article examines the features of the use of anthroponyms in the literary texts of Pavel Vasiliev, which perform an identifying and often artistic and stylistic functions. Anthroponyms are one of the most common groups in Vasiliev's onomasticon. Particular attention is paid to the use of two female names: Anastasia and Eugenia. The onim Anastasia is the most common female name in Vasiliev's poetry. There is a version that it was the girl’s name who was the first love of the poet. This name is given by a variety of characters in seven works by Vasiliev. It often takes the syntactic position of address, in which the emotional-subjective attitude towards the heroine is actualized. The second name, Eugenia Stanman, has a real prototype - a girl who studied with the poet in the same class in Pavlodar. The anthroponym is used as a symbol of childhood, youth ("Eugenia Stanman") and as a symbol of the construction of a new life ("Turksib"), thus performing an artistic and stylistic function in Vasiliev's poetic picture of the world.Key words: anthroponym, Pavel Vasiliev, artistic and stylistic function, onomasticon, prototype.
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