{"title":"习惯规范","authors":"Matthew H. Birkhold","doi":"10.1093/oso/9780198831976.003.0004","DOIUrl":null,"url":null,"abstract":"Analyzing twenty-two examples of fan fiction, Chapter 3 uncovers the unwritten customary norms that governed the production and dissemination of these works. After defining customary norms as an alternative to formal law and briefly accounting for their potential origin, this chapter analyzes each norm in detail. In all, five rules, or customary norms, governed the production of fan fiction in the eighteenth century. Together, they amounted to a customary intellectual property regime comprising rights, trespass norms, exceptions, and enforcement mechanisms. This chapter then examines an exception to the rules for publishers who held the right to publish sequels and continuations. Finally, it focuses on Nicolai’s Joys of Young Werther and Schiller’s Geisterseher as examples of the effectiveness of these mechanisms, showing how they prevented egregious departures from the customary norms.","PeriodicalId":197333,"journal":{"name":"Characters Before Copyright","volume":"205 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Customary Norms\",\"authors\":\"Matthew H. Birkhold\",\"doi\":\"10.1093/oso/9780198831976.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Analyzing twenty-two examples of fan fiction, Chapter 3 uncovers the unwritten customary norms that governed the production and dissemination of these works. After defining customary norms as an alternative to formal law and briefly accounting for their potential origin, this chapter analyzes each norm in detail. In all, five rules, or customary norms, governed the production of fan fiction in the eighteenth century. Together, they amounted to a customary intellectual property regime comprising rights, trespass norms, exceptions, and enforcement mechanisms. This chapter then examines an exception to the rules for publishers who held the right to publish sequels and continuations. Finally, it focuses on Nicolai’s Joys of Young Werther and Schiller’s Geisterseher as examples of the effectiveness of these mechanisms, showing how they prevented egregious departures from the customary norms.\",\"PeriodicalId\":197333,\"journal\":{\"name\":\"Characters Before Copyright\",\"volume\":\"205 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Characters Before Copyright\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780198831976.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Characters Before Copyright","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198831976.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
第三章分析了22个同人小说的例子,揭示了支配这些作品的生产和传播的不成文的习惯规范。在将习惯规范定义为正式法律的替代方案并简要说明其潜在起源之后,本章详细分析了每种规范。总的来说,在18世纪,有五条规则或习惯规范支配着同人小说的创作。它们共同构成了一种习惯的知识产权制度,包括权利、侵权规范、例外和执行机制。然后,本章研究了持有出版续集和续篇权利的出版商规则的例外情况。最后,本文以尼古拉(Nicolai)的《少年维特的欢乐》(Joys of Young Werther)和席勒(Schiller)的《盖斯特瑟尔》(Geisterseher)为例,展示了这些机制的有效性,展示了它们是如何防止严重偏离习惯规范的。
Analyzing twenty-two examples of fan fiction, Chapter 3 uncovers the unwritten customary norms that governed the production and dissemination of these works. After defining customary norms as an alternative to formal law and briefly accounting for their potential origin, this chapter analyzes each norm in detail. In all, five rules, or customary norms, governed the production of fan fiction in the eighteenth century. Together, they amounted to a customary intellectual property regime comprising rights, trespass norms, exceptions, and enforcement mechanisms. This chapter then examines an exception to the rules for publishers who held the right to publish sequels and continuations. Finally, it focuses on Nicolai’s Joys of Young Werther and Schiller’s Geisterseher as examples of the effectiveness of these mechanisms, showing how they prevented egregious departures from the customary norms.