作为博雅教育内容的莎士比亚——互文性与阅读互文再现的《现代哈姆雷特》

Do-in Han
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摘要

莎士比亚是超越时间和语言的文学偶像,是超越体裁的文化内涵。尤其是莎士比亚作品的互文性,并不是英国人的专长,而是全球化时代融合文化流动中文科教育的重要内容。为了对莎士比亚的各种表现形式有一个合乎逻辑的方法,从Kristeva到现在,我们从一开始就仔细研究了互文性的概念,它是连接古典与现代的理论纽带。汤姆·斯托帕德的《罗森克兰茨和吉尔登斯特恩都死了》是莎士比亚《哈姆雷特》的现代翻版,以主人公哈姆雷特为中心,刻画了一些无关紧要的人物,清晰地展现了现代生活的荒谬。《奥菲利亚》是一部从女性视角对哈姆雷特进行互文改写并改编成电影的小说,通过类型转换和结局转换,为现代读者/学习者呈现了一种陌生感的新视角。李宗盛在韩国导演的两部戏剧《哈姆雷特》和《燕山》是韩国互文表现的典型代表,表现了韩国的地域和文化特征,即英美地区之外的韩国。用韩国的符号、舞蹈、歌曲和西方的表演方式来表现莎士比亚的哈姆雷特,表明了将互文性扩展到跨文化性的过程。此外,可以说,为了确保韩国化的全球价值,读者/学习者对经典的素养应该先行。理解莎士比亚的现代改编是领导者/学习者解读当前全球文化综合综合症的重要后盾。因此,作为文科教育的内容,似乎有必要向需要培养批判性素养以了解当前文化趋势的读者/学习者推荐阅读互文复制的莎士比亚作品。
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Shakespeare as Liberal Art Education Contents-Intertextuality and Reading Intertextually Reproduced Modern Hamlets
Shakespeare is an icon of literature that transcends time and language and a cultural content that transcends genres. Especially Shakespeare which have been reproduced intertextuality is not a British speciality, but an essential content of liberal arts education in the flow of convergence culture in this global era.To have logical approach to the various representations of Shakespeare, the concept of intertextuality is closely examined at the beginning, from Kristeva to the present, which is theoretical link that connects the classics and the modern.Tom Stoppard’s Rosencrantz and Guildenstern are Dead is a modern reproduction of Shakespeare’s Hamlet, clearly shows the absurdity of modern life by drawing insignificant characters around the main character, Hamlet.Ophelia, a novel intertextually rewritten Hamlet from a woman's point of view and produced as a movie presents a new defamiliarized perspective to modern readers/learners through genre transformation as well as ending transformation.Hamlet and Yeonsan, two plays directed by Lee in Korea, are the discernible examples of Korean intertextual representations which show regional and cultural characteristics of Korea, that is, an outside of the Anglo-American region. By representing Shakespeare's Hamlet using both Korean symbols, dances, and songs abd western acting style, it suggests the process of expanding intertextuality into interculturality. In addition, it can be said that readers/learners’ literacy to the classics should be preceded to secure the global value of Koreanization.Understanding modern adaptations of Shakespeare is an essential backup for leaders/learners to decipher the synthetic syndrome of global culture of the moment. Therefore, as liberal art education content, it seems necessary to recommend to readers/learners who need to develop critical literacy to understand the current cultural trend to read the intertextually reproduced Shakespeare.
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