时间诗学:关于光敏材料的磨损和挪用

Fabiane Urquhart Duarte, Andreia Machado Oliveira
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引用次数: 0

摘要

本作品旨在解释光敏材料的时间方面和图像的挪用,作为一种产生新的电影叙事和转换图像的方式,通过图像的退化和磨损过程来展示时间,这种光敏材料的磨损和撕裂。通过与真菌生物的接触,产生了对摄影或胶片胶片的不维护,提供了一种新的影像可能性,它处于不断变化的过程中,并创造了一种时间的诗学,称为时间的诗学。我们建议研究“真菌图像”,以及它以生物方式的干预,为电影的美学做出贡献。处理幻灯片中的“真菌图像”及其发展过程,这种图像渗透到模拟+数字杂交中,涉及对旧模拟技术的拯救及其在数字环境中的重新定义。
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Poética do Tempo: sobre o desgaste e a apropriação de materiais fotossensíveis
This work intends to explain about the temporal aspects and the appropriation of images of photosensitive materials already revealed, as a way to produce new cinematographic narratives and transformed images, using as a demonstration of time, the wear and tear of this photosensitive material through the process of deterioration and wear of the image. By contact with fungal organisms, arising from the non-maintenance of the photographic or filmic film, providing a new possibility of image, which is in a constant process of change, and the creation of a temporal poetics, called the poetics of time. We propose to investigate the “fungal image”, and its intervention in a biological way, contributing to the aesthetics of the film. The “fungal image” in slides and its development processes is treated, which permeate the analog + digital hybridization, which involves the rescue of old analog technologies and their resignification in the digital context.
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