{"title":"时间诗学:关于光敏材料的磨损和挪用","authors":"Fabiane Urquhart Duarte, Andreia Machado Oliveira","doi":"10.37390/avancacinema.2022.a456","DOIUrl":null,"url":null,"abstract":"This work intends to explain about the temporal aspects and the appropriation of images of photosensitive materials already revealed, as a way to produce new cinematographic narratives and transformed images, using as a demonstration of time, the wear and tear of this photosensitive material through the process of deterioration and wear of the image. By contact with fungal organisms, arising from the non-maintenance of the photographic or filmic film, providing a new possibility of image, which is in a constant process of change, and the creation of a temporal poetics, called the poetics of time. We propose to investigate the “fungal image”, and its intervention in a biological way, contributing to the aesthetics of the film. The “fungal image” in slides and its development processes is treated, which permeate the analog + digital hybridization, which involves the rescue of old analog technologies and their resignification in the digital context.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"183 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Poética do Tempo: sobre o desgaste e a apropriação de materiais fotossensíveis\",\"authors\":\"Fabiane Urquhart Duarte, Andreia Machado Oliveira\",\"doi\":\"10.37390/avancacinema.2022.a456\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This work intends to explain about the temporal aspects and the appropriation of images of photosensitive materials already revealed, as a way to produce new cinematographic narratives and transformed images, using as a demonstration of time, the wear and tear of this photosensitive material through the process of deterioration and wear of the image. By contact with fungal organisms, arising from the non-maintenance of the photographic or filmic film, providing a new possibility of image, which is in a constant process of change, and the creation of a temporal poetics, called the poetics of time. We propose to investigate the “fungal image”, and its intervention in a biological way, contributing to the aesthetics of the film. The “fungal image” in slides and its development processes is treated, which permeate the analog + digital hybridization, which involves the rescue of old analog technologies and their resignification in the digital context.\",\"PeriodicalId\":297336,\"journal\":{\"name\":\"AVANCA | CINEMA\",\"volume\":\"183 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AVANCA | CINEMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37390/avancacinema.2022.a456\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AVANCA | CINEMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37390/avancacinema.2022.a456","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Poética do Tempo: sobre o desgaste e a apropriação de materiais fotossensíveis
This work intends to explain about the temporal aspects and the appropriation of images of photosensitive materials already revealed, as a way to produce new cinematographic narratives and transformed images, using as a demonstration of time, the wear and tear of this photosensitive material through the process of deterioration and wear of the image. By contact with fungal organisms, arising from the non-maintenance of the photographic or filmic film, providing a new possibility of image, which is in a constant process of change, and the creation of a temporal poetics, called the poetics of time. We propose to investigate the “fungal image”, and its intervention in a biological way, contributing to the aesthetics of the film. The “fungal image” in slides and its development processes is treated, which permeate the analog + digital hybridization, which involves the rescue of old analog technologies and their resignification in the digital context.