{"title":"“HOLD OP MED DEN SELVMEDLIDENHED” – NYE ORIENTERINGER I EN GRØNLANDSK SAMTIDSROMAN","authors":"Rozemarijn Vervoort","doi":"10.2307/j.ctvggx29s.31","DOIUrl":null,"url":null,"abstract":"The contribution discusses how Niviaq Korneliussen's novel Homo sapienne (2014) presents \nnew orientations both concerning the theme within the novel, as well as within the Greenlandic \nliterary field. The novel questions what constitutes Greenlandic identity by exploring the \nexperience of someone who falls outside heteronormative structures and struggles with the \nindividual experience of identity. Korneliussen presents different experiences of queerness in \nan urban environment in Greenland today. Throughout its history under Danish rule, \nGreenlandic identity and its literature have long developed through an exploration of the \ncolonial and postcolonial aspects of its relationship to Denmark. Korneliussen shows how the \nrelationship between Greenland and Denmark, although still part of the history of Greenland, \nis no longer a primary element in local processes of identity formation that are given centre \nstage in contemporary Greenlandic literature. The topics discussed in the novel, as well as its \ntextual elements, which also incorporate contemporary forms of communication such as text \nmessages and Facebook posts, generated a lot of debate in both the Greenlandic and Danish \nmedia, especially with regard to the list that explains what it actually means to be a Greenlander. \nThe novel shows how by focusing inwards on Greenlandic identity and by refusing to take a \nself-pitying stance, Greenlandic literature is opened up to a broader literary field, claiming a \nspot for Greenlandic literature in its own right. The discussion of Korneliussen's novel in the \nnational and international literary field has established her as a new pioneering voice, revealing \nnew orientations within Greenlandic literature and its position within the Nordic literary field.","PeriodicalId":277121,"journal":{"name":"Transit – 'Norden' och 'Europa'","volume":"141 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transit – 'Norden' och 'Europa'","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvggx29s.31","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“HOLD OP MED DEN SELVMEDLIDENHED” – NYE ORIENTERINGER I EN GRØNLANDSK SAMTIDSROMAN
The contribution discusses how Niviaq Korneliussen's novel Homo sapienne (2014) presents
new orientations both concerning the theme within the novel, as well as within the Greenlandic
literary field. The novel questions what constitutes Greenlandic identity by exploring the
experience of someone who falls outside heteronormative structures and struggles with the
individual experience of identity. Korneliussen presents different experiences of queerness in
an urban environment in Greenland today. Throughout its history under Danish rule,
Greenlandic identity and its literature have long developed through an exploration of the
colonial and postcolonial aspects of its relationship to Denmark. Korneliussen shows how the
relationship between Greenland and Denmark, although still part of the history of Greenland,
is no longer a primary element in local processes of identity formation that are given centre
stage in contemporary Greenlandic literature. The topics discussed in the novel, as well as its
textual elements, which also incorporate contemporary forms of communication such as text
messages and Facebook posts, generated a lot of debate in both the Greenlandic and Danish
media, especially with regard to the list that explains what it actually means to be a Greenlander.
The novel shows how by focusing inwards on Greenlandic identity and by refusing to take a
self-pitying stance, Greenlandic literature is opened up to a broader literary field, claiming a
spot for Greenlandic literature in its own right. The discussion of Korneliussen's novel in the
national and international literary field has established her as a new pioneering voice, revealing
new orientations within Greenlandic literature and its position within the Nordic literary field.