Q1还是F1?哪个文本更接近莎士比亚的意图?《理查三世》中的布雷肯伯里案

Naomichi Yamada
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摘要

一段时间以来,我一直在比较莎士比亚的某些戏剧和它们的原始材料,试图由此发现他将它们改编为戏剧的意图。在这个过程中,我倾向于使用莎士比亚的现代版本进行比较,但近年来,我开始使用早期印刷的文本来研究作者意图在各自的早期文本中体现的程度,并看看哪一文本似乎更接近莎士比亚的戏剧意图。在本文中,我建议通过特别关注伦敦塔的中尉和戏剧中的次要人物之一布肯伯里来研究理查三世国王,并通过比较它们的来源,看看莎士比亚是如何在戏剧的实质性文本中创造他的——Q1(1597)和F1(1623)。如果这两个文本在处理Brakenbury方面存在差异,并且某些作者意图变得清晰,那么我们可能能够确定哪个文本更接近作者的创造性设计。
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Q1 or F1? Which text is closer to Shakespeare's intention? : the case of Brakenbury in King Richard III
For some time I have been comparing certain of Shakespeare’s plays with their source materials and trying thereby to discover his intention in dramatising them. In the process I have tended to use modern editions of Shakespeare for comparison, but in recent years I have been using early printed texts instead to investigate to what extent the authorial intention comes through in the respective early texts and to see which text seems to be closer to Shakespeare’s dramatic intention. In this paper I propose to study King Richard III by focusing in particular on Brakenbury, the lieutenant of the Tower of London and one of the minor characters in the play, and seeing how Shakespeare creates him in the substantive texts of the play — Q1(1597) and F1(1623) — by comparing them with their source. If di#erences in the handling of Brakenbury exist between these two texts and some authorial intention then becomes clear, we might be able to decide which text is closer to the author’s creative design.
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