{"title":"一种多维度自适应音乐自动分割方法","authors":"Cyril Gaudefroy, H. Papadopoulos, M. Kowalski","doi":"10.1109/CBMI.2015.7153601","DOIUrl":null,"url":null,"abstract":"Music structure appears on a wide variety of temporal levels (notes, bars, phrases, etc). Its highest-level expression is therefore dependent on music's lower-level organization, especially beats and bars. We propose a method for automatic structure segmentation that uses musically meaningful information and is content-adaptive. It relies on a meter-adaptive signal representation that prevents from the use of empirical parameters. Moreover, our method is designed to combine multiple signal features to account for various musical dimensions. Finally, it also combines multiple structural principles that yield complementary results. The resulting algorithm proves to already outperform state-of-the-art methods, especially within small tolerance windows, and yet offers several encouraging improvement directions.","PeriodicalId":387496,"journal":{"name":"2015 13th International Workshop on Content-Based Multimedia Indexing (CBMI)","volume":"69 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"A multi-dimensional meter-adaptive method for automatic segmentation of music\",\"authors\":\"Cyril Gaudefroy, H. Papadopoulos, M. Kowalski\",\"doi\":\"10.1109/CBMI.2015.7153601\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Music structure appears on a wide variety of temporal levels (notes, bars, phrases, etc). Its highest-level expression is therefore dependent on music's lower-level organization, especially beats and bars. We propose a method for automatic structure segmentation that uses musically meaningful information and is content-adaptive. It relies on a meter-adaptive signal representation that prevents from the use of empirical parameters. Moreover, our method is designed to combine multiple signal features to account for various musical dimensions. Finally, it also combines multiple structural principles that yield complementary results. The resulting algorithm proves to already outperform state-of-the-art methods, especially within small tolerance windows, and yet offers several encouraging improvement directions.\",\"PeriodicalId\":387496,\"journal\":{\"name\":\"2015 13th International Workshop on Content-Based Multimedia Indexing (CBMI)\",\"volume\":\"69 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-06-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2015 13th International Workshop on Content-Based Multimedia Indexing (CBMI)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/CBMI.2015.7153601\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2015 13th International Workshop on Content-Based Multimedia Indexing (CBMI)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/CBMI.2015.7153601","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A multi-dimensional meter-adaptive method for automatic segmentation of music
Music structure appears on a wide variety of temporal levels (notes, bars, phrases, etc). Its highest-level expression is therefore dependent on music's lower-level organization, especially beats and bars. We propose a method for automatic structure segmentation that uses musically meaningful information and is content-adaptive. It relies on a meter-adaptive signal representation that prevents from the use of empirical parameters. Moreover, our method is designed to combine multiple signal features to account for various musical dimensions. Finally, it also combines multiple structural principles that yield complementary results. The resulting algorithm proves to already outperform state-of-the-art methods, especially within small tolerance windows, and yet offers several encouraging improvement directions.