{"title":"对爱情和戏剧的激情","authors":"Michelle L. LaFlamme","doi":"10.18357/sremd31201920638","DOIUrl":null,"url":null,"abstract":"Michelle LaFlamme’s Production Notice of the Bard on the Beach production of Shakespeare in Love offers a celebratory description of the “performativity of gender” in this “re-historicized” romp into Will Shakespeare’s writing career. With the play’s fictional representation of Shakespeare’s love—for his theatre and the young aristocrat who inspires his creativity—Shakespeare in Love demonstrates a cultural need for historical backstories that add human fallibility to Shakespeare’s character that both humanize and democratize in equal measure.","PeriodicalId":153386,"journal":{"name":"Scene: Reviews of Early Modern Drama","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Passion for Love, and for Theatre\",\"authors\":\"Michelle L. LaFlamme\",\"doi\":\"10.18357/sremd31201920638\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Michelle LaFlamme’s Production Notice of the Bard on the Beach production of Shakespeare in Love offers a celebratory description of the “performativity of gender” in this “re-historicized” romp into Will Shakespeare’s writing career. With the play’s fictional representation of Shakespeare’s love—for his theatre and the young aristocrat who inspires his creativity—Shakespeare in Love demonstrates a cultural need for historical backstories that add human fallibility to Shakespeare’s character that both humanize and democratize in equal measure.\",\"PeriodicalId\":153386,\"journal\":{\"name\":\"Scene: Reviews of Early Modern Drama\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scene: Reviews of Early Modern Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18357/sremd31201920638\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scene: Reviews of Early Modern Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18357/sremd31201920638","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Michelle LaFlamme’s Production Notice of the Bard on the Beach production of Shakespeare in Love offers a celebratory description of the “performativity of gender” in this “re-historicized” romp into Will Shakespeare’s writing career. With the play’s fictional representation of Shakespeare’s love—for his theatre and the young aristocrat who inspires his creativity—Shakespeare in Love demonstrates a cultural need for historical backstories that add human fallibility to Shakespeare’s character that both humanize and democratize in equal measure.
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