进入第四维度

Andrew Kahn
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引用次数: 0

摘要

从1937年初开始,对曼德尔施塔姆的攻击出现在沃罗涅日当地的报纸上。适应流亡和逃离政治困境的故事将笔记本的诗歌联系在一起。这一章考察了那一年创作的作品是如何探索生存的各种前景的,舒伯特的《Winterreise》中无家可归的例子萦绕着这些作品。这些经历促使曼德尔施塔姆思考是否可以避开斯大林的广泛影响,策划逃亡是否可以带来自由。剩下的可能是在政治上投降,向斯大林投降,请求赦免。这本书回顾了曼德尔施塔姆与革命的关系,考察了他已故的诗歌《斯大林颂》,这是俄语中最具争议的诗歌之一,在这里被视为讽刺的反抗作品,颠覆性地操纵颂诗,关闭了任何和解的可能性。曼德尔施塔姆最后的歌词想象着飞向无形的领域。
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Into the Fourth Dimension
From early 1937, attacks on Mandelstam appeared in the local Voronezh press. The story of adapting to exile and escape from his political plight connects the poems of the notebooks. The chapter examines how the works written in that year explore the various prospects for survival, haunted by the example of homelessness of Schubert’s Winterreise. These experiences drive Mandelstam to consider whether the extensive reach of Stalin can ever be evaded, plotting whether flight might lead to freedom. The remaining possibility might be to surrender politically and submit to Stalin, seeking pardon. The book circles back to Mandelstam’s relation to the revolution by examining his late poem, the ‘Stalin Ode’, one of the most controversial poems in the Russian language, read here as a work of ironic defiance that manipulates panegyric subversively and closes off any possibility of rapprochement. Mandelstam’s final lyrics imagine flight into invisible realms.
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The Voronezh Poems (1934–7) and the Geometry of Exile Into the Fourth Dimension Love’s Body ‘Verses on Russian Poetry’ Revolutionary Lyric
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