{"title":"变成艺术的笔名","authors":"Abdulhamid Qurbonov","doi":"10.52773/tsuull.gold.2020.1/mxbn6320","DOIUrl":null,"url":null,"abstract":"This article is devoted to the problem of the relation between Navoi and his pseudonym “Navo”. For the great poet, pseudonym (taxallus) was not only a poetic name, but also was a special opportunity for the manifestation of his talent. As Babur said, Navoi was a poet who wrote “more and better than others.” “Hamsa”, especially “Hazoyin ul Maoniy”, includes hundreds of perfect couplets. Due to these couplets are a new type of the art that can be called navo (melody) and Navoi art. On the basis of this lies Navoi’s original point of view about high poetic symmetry. Navoi confirmed that every poetic work or a separate couplet must be created according to the rules of high symmetry; all poetic elements of the work must be related between poetic content both forms and meaning. The article considers the literary and Sufic meanings of Navoi, navo (melody), benavo, Navoe, through an analysis of a number of couplets from poet’s work.","PeriodicalId":197666,"journal":{"name":"Golden scripts","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Pseudonym which Turned into the Art\",\"authors\":\"Abdulhamid Qurbonov\",\"doi\":\"10.52773/tsuull.gold.2020.1/mxbn6320\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article is devoted to the problem of the relation between Navoi and his pseudonym “Navo”. For the great poet, pseudonym (taxallus) was not only a poetic name, but also was a special opportunity for the manifestation of his talent. As Babur said, Navoi was a poet who wrote “more and better than others.” “Hamsa”, especially “Hazoyin ul Maoniy”, includes hundreds of perfect couplets. Due to these couplets are a new type of the art that can be called navo (melody) and Navoi art. On the basis of this lies Navoi’s original point of view about high poetic symmetry. Navoi confirmed that every poetic work or a separate couplet must be created according to the rules of high symmetry; all poetic elements of the work must be related between poetic content both forms and meaning. The article considers the literary and Sufic meanings of Navoi, navo (melody), benavo, Navoe, through an analysis of a number of couplets from poet’s work.\",\"PeriodicalId\":197666,\"journal\":{\"name\":\"Golden scripts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Golden scripts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52773/tsuull.gold.2020.1/mxbn6320\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Golden scripts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52773/tsuull.gold.2020.1/mxbn6320","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文主要探讨纳沃伊与其笔名“纳沃”的关系问题。对于这位伟大的诗人来说,笔名(taxallus)不仅是一个诗意的名字,而且是一个展示他才华的特殊机会。正如巴布尔所说,纳沃伊是一位“比别人写得更多、更好”的诗人。“Hamsa”,特别是“Hazoyin ul Maoniy”,包括数百个完美的对联。由于这些对联是一种新的艺术类型,可以被称为纳沃(旋律)和纳沃伊艺术。在此基础上,纳沃伊提出了关于诗歌高度对称的独到观点。纳沃伊认为,每一部诗歌作品或单独的对联都必须按照高度对称的规则创作;作品的所有诗歌元素都必须与诗歌内容、形式和意义相联系。本文通过对诗人作品中一些对句的分析,探讨了Navoi、navo(旋律)、benavo、Navoe的文学意义和宗教意义。
This article is devoted to the problem of the relation between Navoi and his pseudonym “Navo”. For the great poet, pseudonym (taxallus) was not only a poetic name, but also was a special opportunity for the manifestation of his talent. As Babur said, Navoi was a poet who wrote “more and better than others.” “Hamsa”, especially “Hazoyin ul Maoniy”, includes hundreds of perfect couplets. Due to these couplets are a new type of the art that can be called navo (melody) and Navoi art. On the basis of this lies Navoi’s original point of view about high poetic symmetry. Navoi confirmed that every poetic work or a separate couplet must be created according to the rules of high symmetry; all poetic elements of the work must be related between poetic content both forms and meaning. The article considers the literary and Sufic meanings of Navoi, navo (melody), benavo, Navoe, through an analysis of a number of couplets from poet’s work.