感受槽:从复调音频中识别低音模式

Himadri Mukherjee, M. Marciano, Ankita Dhar, K. Roy
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引用次数: 0

摘要

从制作到表演,科技已经进入了不同的音乐领域。研究人员已经尝试在这个领域的许多方面实现自动化。其中一个兴趣是音乐作品本身的自动生成。低音凹槽是大多数音乐作品中不可或缺的一部分。它使一个作品听起来完整,并弥合打击乐器和旋律部分之间的差距。因此,对于机器来说,理解低音凹槽对于自动音乐分析和制作是至关重要的。自动区分低音凹槽是困难的,它加剧甚至更多的复调音乐。在复调音乐中,低音凹槽往往处于较低的音量,其频率范围与打击声部有较深的重叠,这增加了识别的复杂性。本文提出了一种在鼓声中识别低音沟槽的系统。实验采用7个凹槽共4473个夹子,采用基于mfc的特征建模。基于多层感知器(MLP)的分类准确率最高,达到97.38%。
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Feeling the Groove: Identification of Bass patterns from polyphonic audio
Technology has found its way into disparate spheres of music, from production to performance. Researchers have attempted to automate multitudinous aspects in this domain. One of the interests has been towards the automated generation of music pieces itself. Bass grooves are an integral part of most music pieces. It makes a piece sound complete and bridges the gap between the percussion and melody sections. Thus, it is essential for machines to understand bass grooves for automated music analysis and production. Automatically distinguishing bass grooves is difficult and it aggravates even more for polyphonic music. In polyphonic music, the bass grooves tend to be at a lower volume and its frequency range has profound overlap with the percussion section which contributes to the complexity of identification. In this paper, a system is presented to distinguish bass grooves in the presence of drums. Experiments were performed with 7 grooves totaling 4473 clips which were modeled using MFCC-based features. The highest accuracy of 97.38% was obtained using multi-layer perceptron (MLP)-based classification.
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