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引用次数: 0
摘要
法国哲学家西蒙娜·德·波伏娃(Simone De Beauvoir)在《第二性》(Second Sex)一书中说得好:“女人不是天生的,而是后天形成的。”因此,长期以来,与男性相比,女性被视为次要的。朱迪思·巴特勒在她的《性别问题》一书中也提出了类似的观点,认为女性身份是由重复的表演创造出来的,而且性别身份不是固定的,而是被创造出来的。这些意识形态是通过某些机构发挥作用的。其中一个机构是"空间",它不一定是物质的和固定的,但可以是精神/心理的和流动的。这个空间也可以作为一种颠覆性的技术来控制社会的某些部分。本文试图通过分析尼泊尔作家Lil Bahadur Chettri的小说《姜黄之山》来理解空间的颠覆性实践及其对性别认同的控制。
Navigating Gendered Space with Special Reference to Lil Bahadur Chettri’s Mountains Painted with Turmeric
It is rightly put by the French philosopher Simone De Beauvoir in her book ‘Second Sex’ that “one is not born but made a woman”. So, women are treated secondary as compared to men for a long time. Similar view has been propounded by Judith Butler in her book ‘Gender Trouble’ that female identity has been created by repetitive performances and further, gender identity is not fixed rather it is created. There are certain agencies through which these ideologies came in to function. One of such agencies is “space” which is not necessarily physical and fixed but can be mental/psychological and fluid. This space can also use as subversive technique to control certain part of the society. This paper tries to analyze a Nepali fiction ‘Mountains Painted with Turmeric’ by Lil Bahadur Chettri to understand the subversive practices of space and how it controls gender identity.