{"title":"虚拟视觉——光和空间的物理学和形而上学","authors":"Mike King","doi":"10.1109/EGUK.2002.1011266","DOIUrl":null,"url":null,"abstract":"The computer has made a whole range of new visual art forms possible. The paper describes the thinking behind the Virtual Visions project, which pursues a relatively untrodden sub-form within the digital art genres-3D still imaging for digital print. It is also an argument for the inclusion of science as a theoretical framework from which to pursue art, as an alternative or addition to contemporary cultural and media theory. The paper introduces some of the philosophical and art-theoretical implications of an artform that is predicated on computer graphics technologies, showing how an artist who is also a graphics programmer can bring together such different intellectual disciplines. The paper ends with a request for the computer graphics community to collaborate on this project in which there are many interfacing and aesthetic innovations.","PeriodicalId":226195,"journal":{"name":"Proceedings 20th Eurographics UK Conference","volume":"66 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2002-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Virtual Visions-the physics and metaphysics of light and space\",\"authors\":\"Mike King\",\"doi\":\"10.1109/EGUK.2002.1011266\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The computer has made a whole range of new visual art forms possible. The paper describes the thinking behind the Virtual Visions project, which pursues a relatively untrodden sub-form within the digital art genres-3D still imaging for digital print. It is also an argument for the inclusion of science as a theoretical framework from which to pursue art, as an alternative or addition to contemporary cultural and media theory. The paper introduces some of the philosophical and art-theoretical implications of an artform that is predicated on computer graphics technologies, showing how an artist who is also a graphics programmer can bring together such different intellectual disciplines. The paper ends with a request for the computer graphics community to collaborate on this project in which there are many interfacing and aesthetic innovations.\",\"PeriodicalId\":226195,\"journal\":{\"name\":\"Proceedings 20th Eurographics UK Conference\",\"volume\":\"66 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2002-06-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings 20th Eurographics UK Conference\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/EGUK.2002.1011266\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings 20th Eurographics UK Conference","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/EGUK.2002.1011266","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Virtual Visions-the physics and metaphysics of light and space
The computer has made a whole range of new visual art forms possible. The paper describes the thinking behind the Virtual Visions project, which pursues a relatively untrodden sub-form within the digital art genres-3D still imaging for digital print. It is also an argument for the inclusion of science as a theoretical framework from which to pursue art, as an alternative or addition to contemporary cultural and media theory. The paper introduces some of the philosophical and art-theoretical implications of an artform that is predicated on computer graphics technologies, showing how an artist who is also a graphics programmer can bring together such different intellectual disciplines. The paper ends with a request for the computer graphics community to collaborate on this project in which there are many interfacing and aesthetic innovations.