E. Jørgensen, J. Kjeldbjerg, Sofie Krogh, Sofie Larsen, Amalie Pinnerup
{"title":"《父亲》的不可靠性","authors":"E. Jørgensen, J. Kjeldbjerg, Sofie Krogh, Sofie Larsen, Amalie Pinnerup","doi":"10.7146/lev92023136284","DOIUrl":null,"url":null,"abstract":"How does one best portray the consequences of dementia? Dementia is a type of mental deterioration, where a person gets lost in their own mind, slowly losing grasp of time and space. In his award-winning film The Father (2020), director Florian Zeller explores this theme through his 80-year-old protagonist Anthony. With the intention of positioning the viewer in the shoes of the deeply invalidated protagonist, Zeller intentionally confuses the viewer through narrational repetition and gradually shifting settings and characters, constantly making the viewer question the progression and cohesion of the story. This video essay focuses on cinematic unreliability, analysing the film’s mise-en-scène, nonlinear plot and film techniques such as shot-size, lighting, and sound.","PeriodicalId":213915,"journal":{"name":"Leviathan: Interdisciplinary Journal in English","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cinematic Unreliability in The Father\",\"authors\":\"E. Jørgensen, J. Kjeldbjerg, Sofie Krogh, Sofie Larsen, Amalie Pinnerup\",\"doi\":\"10.7146/lev92023136284\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How does one best portray the consequences of dementia? Dementia is a type of mental deterioration, where a person gets lost in their own mind, slowly losing grasp of time and space. In his award-winning film The Father (2020), director Florian Zeller explores this theme through his 80-year-old protagonist Anthony. With the intention of positioning the viewer in the shoes of the deeply invalidated protagonist, Zeller intentionally confuses the viewer through narrational repetition and gradually shifting settings and characters, constantly making the viewer question the progression and cohesion of the story. This video essay focuses on cinematic unreliability, analysing the film’s mise-en-scène, nonlinear plot and film techniques such as shot-size, lighting, and sound.\",\"PeriodicalId\":213915,\"journal\":{\"name\":\"Leviathan: Interdisciplinary Journal in English\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Leviathan: Interdisciplinary Journal in English\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7146/lev92023136284\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Leviathan: Interdisciplinary Journal in English","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/lev92023136284","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
How does one best portray the consequences of dementia? Dementia is a type of mental deterioration, where a person gets lost in their own mind, slowly losing grasp of time and space. In his award-winning film The Father (2020), director Florian Zeller explores this theme through his 80-year-old protagonist Anthony. With the intention of positioning the viewer in the shoes of the deeply invalidated protagonist, Zeller intentionally confuses the viewer through narrational repetition and gradually shifting settings and characters, constantly making the viewer question the progression and cohesion of the story. This video essay focuses on cinematic unreliability, analysing the film’s mise-en-scène, nonlinear plot and film techniques such as shot-size, lighting, and sound.
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