夏洛蒂·帕金斯·吉尔曼《黄色墙纸》的自由女权主义解读

Mardin Artuklu Üniversitesi
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引用次数: 1

摘要

男权社会只赋予男性法律权利和经济权力,使女性受制于男性,被禁锢在私人领域。当被赋予妻子和母亲角色的女性开始要求自由和合法权利时,女权主义的基础就出现了。本研究将自由女性主义的研究方法应用于夏洛特·帕金斯·吉尔曼的《黄色墙纸》(1892),以分析男权意识形态在不同领域中的性别角色。在生下一个孩子后,叙述者被她的医生丈夫约翰诊断为歇斯底里症。医生还给她开了一种“休息疗法”,让她在一栋孤立的房子的阁楼上休息三个月。“休息疗法”导致了她对黄色墙纸的痴迷,并由于思维的局限和女性在私人领域意识的提升而慢慢地将她逼疯。被囚禁在一个房间里可能会有失望、疯狂和自杀的巨大风险。为了限制女性在知识和公共领域的参与,19世纪男权社会的男性科学以“休息疗法”的名义将“家里的天使”变成了“阁楼上的疯女人”。吉尔曼认为,一个女人只有通过最终在私人领域和公共领域之间建立一种辩证的运动,从根本上改变她的经济状况,才能解放自己。
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A LIBERAL FEMINIST APPROACH TO CHARLOTTE PERKINS GILMAN’S THE YELLOW WALLPAPER
Patriarchal society gives legal rights and economic power to men only so that women are subject to men and imprisoned in private sphere. When women who are given only the role of a wife and mother begin to demand freedom and legal rights, the basis of feminism appears. This study applies liberal feminist approach to Charlotte Perkins Gilman’s The Yellow Wallpaper (1892) in order to analyse the gender roles in terms of patriarchal ideology of separate spheres. After giving birth to a baby, the narrator is diagnosed with hysteria by her husband John who is a physician. She is also prescribed a ‘rest cure’ for three months in the attic of an isolated house. The ‘rest cure’ causes her obsession with the yellow wallpaper and slowly drives her mad due to the limitation of thinking and of raising the consciousness of female in private sphere. To be imprisoned in a room may have enormous risks of disappointment, madness, and suicide. In order to limit a woman’s participation in the intellectual and public sphere, masculine science of nineteenth century’s patriarchal society converts ‘an angel in the house’ into ‘the madwoman in the attic’ under the name of ‘rest cure’. Gilman suggests that a woman can only free herself if her financial conditions are radically changed through finally installing a dialectical movement between private sphere and public sphere.
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