Pub Date : 2021-10-30DOI: 10.7816/ulakbilge-09-65-03
Laughter positive emotion, helpful, healthy way to deal with stress. Laughter therapy is a cognitive-behavioral therapy that can make physical, psychological; social relationships healthy improve quality of life. Laughter therapy positive effect on mental health alternative therapy. Laughter therapy does not require special preparations, such as appropriate facilities equipment easily accessible. Laughter reduces stress-producing hormones in the blood, can reduce the effects of stress. Depression is a disorder in which neurotransmitters such as norepinephrine, dopamine, serotonin is reduced brain. Problem mood control circuit of the brain. Laughter can alter dopamine serotonin activity. The endorphins released by laughter can be helpful when people are upset or depressed. Laughter therapy alternative treatment for depression that harms mental health. Examined the effect of laughter therapy on depression was in this study. In the research, it was used as "Pretest-Posttest-Semi-Experimental Design with Follow-Up Test Control Group." The study was conducted by obtaining a work permit from the participants who applied to the Psychology, Psychiatry Clinic in the Beyoğlu district of Istanbul. It was determined randomly which of the centers would be the experimental group the control group. While the study group consisted of 15 participants, the control group consisted of 15 participants. Participation of individuals included in the study was voluntary basis. While the experimental group received a 4-week "Laughter Therapy Practice," the control group received a placebo-like two-session training. Used personal information form Beck Depression Inventory. As a result, the depression levels of the participants who were treated with laughter therapy decreased.
{"title":"LAUGHER THERAPHY DEPRESSION TREATMENTS INSPIRATION OF INCLUSION EFFECTS","authors":"","doi":"10.7816/ulakbilge-09-65-03","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-65-03","url":null,"abstract":"Laughter positive emotion, helpful, healthy way to deal with stress. Laughter therapy is a cognitive-behavioral therapy that can make physical, psychological; social relationships healthy improve quality of life. Laughter therapy positive effect on mental health alternative therapy. Laughter therapy does not require special preparations, such as appropriate facilities equipment easily accessible. Laughter reduces stress-producing hormones in the blood, can reduce the effects of stress. Depression is a disorder in which neurotransmitters such as norepinephrine, dopamine, serotonin is reduced brain. Problem mood control circuit of the brain. Laughter can alter dopamine serotonin activity. The endorphins released by laughter can be helpful when people are upset or depressed. Laughter therapy alternative treatment for depression that harms mental health. Examined the effect of laughter therapy on depression was in this study. In the research, it was used as \"Pretest-Posttest-Semi-Experimental Design with Follow-Up Test Control Group.\" The study was conducted by obtaining a work permit from the participants who applied to the Psychology, Psychiatry Clinic in the Beyoğlu district of Istanbul. It was determined randomly which of the centers would be the experimental group the control group. While the study group consisted of 15 participants, the control group consisted of 15 participants. Participation of individuals included in the study was voluntary basis. While the experimental group received a 4-week \"Laughter Therapy Practice,\" the control group received a placebo-like two-session training. Used personal information form Beck Depression Inventory. As a result, the depression levels of the participants who were treated with laughter therapy decreased.","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"355 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115447342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-30DOI: 10.7816/ulakbilge-09-65-04
In this research, it is aimed to determine the experiences, opinions and solution suggestions of visual arts teachers regarding the visual arts course in the distance education process. The study was carried out with the voluntary participation of 65 Visual arts teachers in the 2020-2021 academic year. The data of the research were obtained through a semi-structured interview form prepared for teachers. This study, which aims to determine the experience of visual arts teachers in the distance education process and accordingly their views, was designed with a qualitative research method and was carried out with a phenomenological approach, one of the qualitative research methods, in terms of its suitability for the study. The data obtained from the study were analyzed through descriptive analysis. As a result of the analysis of the data, it was determined that the majority of the teachers were partially productive from the lesson, the students generally did not attend the lesson, only the students who were interested in the lesson and participated in the lesson carried out the activities, some of the gains were achieved by the teachers, and the methods they used varied according to the subject; In addition to this, it has been seen that one of the most preferred methods is the “Show-and-Make Method”, and the pencil technique is the most preferred technique. The main difficulties experienced by visual arts teachers during the distance education process were the lack of interaction, inability to practice, technical problems, lack of materials and students’ non-participation in the lesson. For the distance education process, teachers offered suggestions such as choosing studies suitable for distance education, using technology efficiently, keeping student motivation high, and providing parent support.
{"title":"THE OPINIONS OF VISUAL ARTS TEACHERS ON VISUAL ARTS COURSE IN DISTANCE EDUCATION PROCESS","authors":"","doi":"10.7816/ulakbilge-09-65-04","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-65-04","url":null,"abstract":"In this research, it is aimed to determine the experiences, opinions and solution suggestions of visual arts teachers regarding the visual arts course in the distance education process. The study was carried out with the voluntary participation of 65 Visual arts teachers in the 2020-2021 academic year. The data of the research were obtained through a semi-structured interview form prepared for teachers. This study, which aims to determine the experience of visual arts teachers in the distance education process and accordingly their views, was designed with a qualitative research method and was carried out with a phenomenological approach, one of the qualitative research methods, in terms of its suitability for the study. The data obtained from the study were analyzed through descriptive analysis. As a result of the analysis of the data, it was determined that the majority of the teachers were partially productive from the lesson, the students generally did not attend the lesson, only the students who were interested in the lesson and participated in the lesson carried out the activities, some of the gains were achieved by the teachers, and the methods they used varied according to the subject; In addition to this, it has been seen that one of the most preferred methods is the “Show-and-Make Method”, and the pencil technique is the most preferred technique. The main difficulties experienced by visual arts teachers during the distance education process were the lack of interaction, inability to practice, technical problems, lack of materials and students’ non-participation in the lesson. For the distance education process, teachers offered suggestions such as choosing studies suitable for distance education, using technology efficiently, keeping student motivation high, and providing parent support.","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130874024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-30DOI: 10.7816/ulakbilge-09-65-05
Human beings can show deviations from standard physiological/mental norms called “disabilities” by birth or in time. Artists with similar deviations, reflected their dissimilitaries to art as an echo of their perception of the universe, reached artistic authenticity and existed with their unique and pioneering identities by creating art movements. Artist Neil Harbisson who has by birth achromatopsia challenged perceptual norms by bringing together Art and Science. Harbisson never needed color for his art or daily life. But when situations requiring color knowledge met his curiosity, he invented his own solution. Recent scientific developments allow to eliminate most of the obsctacles with supports such as prosthesis, implants, special glasses. Harbisson heared colors with a system consisted of a sensor, which receives color frequencies, linked to a chip transplanted in his brain, which translates the color data to voice data. Pioneer of the Cyborg Art, Harbisson combined paint and music; created in various fields and also as an activist championed human sustainibility through adaptation to Nature. This study will show that instead of consuming the Earth according to their arbitrary needs, human beings can protect their existence, resources, widen their perception of the universe by transforming themselves with Art and Science.
{"title":"UNCONSTRAINABLE ART: CYBORG ARTIST NEIL HARBISSON AND SYNERGY OF ART & SCIENCES","authors":"","doi":"10.7816/ulakbilge-09-65-05","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-65-05","url":null,"abstract":"Human beings can show deviations from standard physiological/mental norms called “disabilities” by birth or in time. Artists with similar deviations, reflected their dissimilitaries to art as an echo of their perception of the universe, reached artistic authenticity and existed with their unique and pioneering identities by creating art movements. Artist Neil Harbisson who has by birth achromatopsia challenged perceptual norms by bringing together Art and Science. Harbisson never needed color for his art or daily life. But when situations requiring color knowledge met his curiosity, he invented his own solution. Recent scientific developments allow to eliminate most of the obsctacles with supports such as prosthesis, implants, special glasses. Harbisson heared colors with a system consisted of a sensor, which receives color frequencies, linked to a chip transplanted in his brain, which translates the color data to voice data. Pioneer of the Cyborg Art, Harbisson combined paint and music; created in various fields and also as an activist championed human sustainibility through adaptation to Nature. This study will show that instead of consuming the Earth according to their arbitrary needs, human beings can protect their existence, resources, widen their perception of the universe by transforming themselves with Art and Science.","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"25 12","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113979681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-30DOI: 10.7816/ulakbilge-09-65-01
Gökçen Kara
The post-colonial period is a time when colonial states secretly continued their colonial policies in different ways after World War II. The Namesake by Jhumpa Lahiri is a novel about the challenges and difficulties of a Bengali couple who travel to the United States to build a life. The novel deals with the concepts of cultural identity, rootlessness, tradition, and family expectations in a straightforward style. Memory, nostalgia, loss, and longing are some of the themes addressed in this novel. Ashoke and Ashima, first generation immigrants, come to the U.S. hoping for a better life, but the past haunts them like a shadow, reminding them of their origins. On the other hand, unlike them, the children of this family cannot form ties with India, but they are not accepted as citizens of America, to which they want to belong. In other words, the identity crisis in the novel manifests itself in different ways in the first and second generation immigrants. The purpose of this article is to examine the complicated cultural interactions and identity crises as presented in modern cultural discourse. This essay is an attempt to examine the attractions of the American way of life as well as the tug of war between two separate cultures through a comparative lens. In addition, this essay attempts to address the problems of identity and cultural conflict faced by first and second generation immigrants.
{"title":"THE POSTCOLONIAL IMMIGRANT IDENTITES IN JHUMPA LAHIRI'S NOVEL, THE NAMESAKE","authors":"Gökçen Kara","doi":"10.7816/ulakbilge-09-65-01","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-65-01","url":null,"abstract":"The post-colonial period is a time when colonial states secretly continued their colonial policies in different ways after World War II. The Namesake by Jhumpa Lahiri is a novel about the challenges and difficulties of a Bengali couple who travel to the United States to build a life. The novel deals with the concepts of cultural identity, rootlessness, tradition, and family expectations in a straightforward style. Memory, nostalgia, loss, and longing are some of the themes addressed in this novel. Ashoke and Ashima, first generation immigrants, come to the U.S. hoping for a better life, but the past haunts them like a shadow, reminding them of their origins. On the other hand, unlike them, the children of this family cannot form ties with India, but they are not accepted as citizens of America, to which they want to belong. In other words, the identity crisis in the novel manifests itself in different ways in the first and second generation immigrants. The purpose of this article is to examine the complicated cultural interactions and identity crises as presented in modern cultural discourse. This essay is an attempt to examine the attractions of the American way of life as well as the tug of war between two separate cultures through a comparative lens. In addition, this essay attempts to address the problems of identity and cultural conflict faced by first and second generation immigrants.","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114691688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-30DOI: 10.7816/ulakbilge-09-65-02
Mardin Artuklu Üniversitesi
Patriarchal society gives legal rights and economic power to men only so that women are subject to men and imprisoned in private sphere. When women who are given only the role of a wife and mother begin to demand freedom and legal rights, the basis of feminism appears. This study applies liberal feminist approach to Charlotte Perkins Gilman’s The Yellow Wallpaper (1892) in order to analyse the gender roles in terms of patriarchal ideology of separate spheres. After giving birth to a baby, the narrator is diagnosed with hysteria by her husband John who is a physician. She is also prescribed a ‘rest cure’ for three months in the attic of an isolated house. The ‘rest cure’ causes her obsession with the yellow wallpaper and slowly drives her mad due to the limitation of thinking and of raising the consciousness of female in private sphere. To be imprisoned in a room may have enormous risks of disappointment, madness, and suicide. In order to limit a woman’s participation in the intellectual and public sphere, masculine science of nineteenth century’s patriarchal society converts ‘an angel in the house’ into ‘the madwoman in the attic’ under the name of ‘rest cure’. Gilman suggests that a woman can only free herself if her financial conditions are radically changed through finally installing a dialectical movement between private sphere and public sphere.
{"title":"A LIBERAL FEMINIST APPROACH TO CHARLOTTE PERKINS GILMAN’S THE YELLOW WALLPAPER","authors":"Mardin Artuklu Üniversitesi","doi":"10.7816/ulakbilge-09-65-02","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-65-02","url":null,"abstract":"Patriarchal society gives legal rights and economic power to men only so that women are subject to men and imprisoned in private sphere. When women who are given only the role of a wife and mother begin to demand freedom and legal rights, the basis of feminism appears. This study applies liberal feminist approach to Charlotte Perkins Gilman’s The Yellow Wallpaper (1892) in order to analyse the gender roles in terms of patriarchal ideology of separate spheres. After giving birth to a baby, the narrator is diagnosed with hysteria by her husband John who is a physician. She is also prescribed a ‘rest cure’ for three months in the attic of an isolated house. The ‘rest cure’ causes her obsession with the yellow wallpaper and slowly drives her mad due to the limitation of thinking and of raising the consciousness of female in private sphere. To be imprisoned in a room may have enormous risks of disappointment, madness, and suicide. In order to limit a woman’s participation in the intellectual and public sphere, masculine science of nineteenth century’s patriarchal society converts ‘an angel in the house’ into ‘the madwoman in the attic’ under the name of ‘rest cure’. Gilman suggests that a woman can only free herself if her financial conditions are radically changed through finally installing a dialectical movement between private sphere and public sphere.","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122144919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-30DOI: 10.7816/ulakbilge-09-65-07
This research aims to evaluate Arnold Böcklin's fantastical and mythological narrative through the concept of melancholy. Concept of melancholy continued to exist within the reality of each period. The concept is presented to the audience with different narratives and artistic works of the artists. The research found that the inspiration or sources of Arnold Böcklin's works in the creation process how and to what extent if reflects melancholy in its works. İn this context the emotional states of the artist's melancholy works produced through the theme of death will be interpreted. Keywords: melancholy, fantastic, spirit, Arnold Böcklin
{"title":"MELANCHOLIC PROJECTIONS IN ARNOLD BÖCKLIN'S PAINTINGS IN THE CONTEXT OF FANTASTIC REALITY","authors":"","doi":"10.7816/ulakbilge-09-65-07","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-65-07","url":null,"abstract":"This research aims to evaluate Arnold Böcklin's fantastical and mythological narrative through the concept of melancholy. Concept of melancholy continued to exist within the reality of each period. The concept is presented to the audience with different narratives and artistic works of the artists. The research found that the inspiration or sources of Arnold Böcklin's works in the creation process how and to what extent if reflects melancholy in its works. İn this context the emotional states of the artist's melancholy works produced through the theme of death will be interpreted. Keywords: melancholy, fantastic, spirit, Arnold Böcklin","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"44 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131894726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-30DOI: 10.7816/ulakbilge-09-65-06
In this study, the phenomenon of heroism seen in the works of Jacques Louis David, one of the important representatives of French painting and Neoclassicism in the history of Western art, has been examined. The foundations of the neoclassical understanding began to be laid before the middle of the eighteenth century, and the reason for the reactivity was the excessive ornamentation and artificiality of the Baroque and Rococo before it. In the century it emerged, important developments in various fields laid the groundwork for Neoclassicism, and especially the effects of ancient cities unearthed in the archaeological area on artists formed the mainstay of the style. In this way, the artistic qualities of antiquity were brought to the fore. Ancient Greek and Roman works have shown their existence as a version of the updated worldview and a new aesthetic understanding. Its effects are seen in many branches of art, including the field of painting. By praising the noble simplicity and quiet splendor created by antiquity, pure and clear works, technically isolated from the effects of light, in which linearity comes to the fore, were produced. In the works of David, who is the most prominent artist of this style, which adopts order and limitations as its rules, dignified examples of a rational, moral and noble spirit are selected. In the artist's productions, symbolic images have served as elements that contribute to the semantic dimension of the expression. With the stable stance of Jacques Louis David, who was the official artist of the French Revolution as an extension of the Age of Enlightenment, the patriotism, self-sacrifice, and heroism ideals of the new classicism were articulated with the identity of the Romans formed with the ideas of virtue and pro-republic freedom in an original and updated aestheticized form. The transfer of heroic stories, which is an important feature of the movement, has taken its place in David's hands at a high level of maturity.
{"title":"THE HERO IN THE WORKS OF THE NEOCLASSICISTARTIST JACQUES LOUIS DAVID","authors":"","doi":"10.7816/ulakbilge-09-65-06","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-65-06","url":null,"abstract":"In this study, the phenomenon of heroism seen in the works of Jacques Louis David, one of the important representatives of French painting and Neoclassicism in the history of Western art, has been examined. The foundations of the neoclassical understanding began to be laid before the middle of the eighteenth century, and the reason for the reactivity was the excessive ornamentation and artificiality of the Baroque and Rococo before it. In the century it emerged, important developments in various fields laid the groundwork for Neoclassicism, and especially the effects of ancient cities unearthed in the archaeological area on artists formed the mainstay of the style. In this way, the artistic qualities of antiquity were brought to the fore. Ancient Greek and Roman works have shown their existence as a version of the updated worldview and a new aesthetic understanding. Its effects are seen in many branches of art, including the field of painting. By praising the noble simplicity and quiet splendor created by antiquity, pure and clear works, technically isolated from the effects of light, in which linearity comes to the fore, were produced. In the works of David, who is the most prominent artist of this style, which adopts order and limitations as its rules, dignified examples of a rational, moral and noble spirit are selected. In the artist's productions, symbolic images have served as elements that contribute to the semantic dimension of the expression. With the stable stance of Jacques Louis David, who was the official artist of the French Revolution as an extension of the Age of Enlightenment, the patriotism, self-sacrifice, and heroism ideals of the new classicism were articulated with the identity of the Romans formed with the ideas of virtue and pro-republic freedom in an original and updated aestheticized form. The transfer of heroic stories, which is an important feature of the movement, has taken its place in David's hands at a high level of maturity.","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126755722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-30DOI: 10.7816/ulakbilge-09-62-02
Sibel Almelek Işman
Ancient Greek art and culture had served as a significant guide for Western civilisation for centuries. Greek philosophy, literature and mythology as well as art and architecture had a major impact on artists especially in the periods of Renaissance and Neoclassicism. It is interesting to see that Ancient Greek sculpture has still been inspiring for the 20th century western painters, sculptors and performance artists. This article will focus on the visual representations of four statues -Apollo Belvedere, Venus of Milo, Nike of Samothrace and Sleeping Ariadne- in the imagination of artists working in various styles. Depictions of aforenamed statues and their novel and distinctive interpretations had been the subject of this descriptive research. 20th century creations have been scanned for traces of Ancient Greek sculpture. These timeless paragons of Classical and Hellenistic periods acquired a fresh life thanks to the 20th century art world’s admiration and respect for the Ancient Greek sculpture. It can be concluded that by juxtaposing classical and contemporary imagery, artists created memorable and engrossing works. Keywords: Ancient Greek Sculpture, 20th century, Western Art
{"title":"ANCIENT GREEK SCULPTURE IN THE 20TH CENTURY WESTERN ART","authors":"Sibel Almelek Işman","doi":"10.7816/ulakbilge-09-62-02","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-62-02","url":null,"abstract":"Ancient Greek art and culture had served as a significant guide for Western civilisation for centuries. Greek philosophy, literature and mythology as well as art and architecture had a major impact on artists especially in the periods of Renaissance and Neoclassicism. It is interesting to see that Ancient Greek sculpture has still been inspiring for the 20th century western painters, sculptors and performance artists. This article will focus on the visual representations of four statues -Apollo Belvedere, Venus of Milo, Nike of Samothrace and Sleeping Ariadne- in the imagination of artists working in various styles. Depictions of aforenamed statues and their novel and distinctive interpretations had been the subject of this descriptive research. 20th century creations have been scanned for traces of Ancient Greek sculpture. These timeless paragons of Classical and Hellenistic periods acquired a fresh life thanks to the 20th century art world’s admiration and respect for the Ancient Greek sculpture. It can be concluded that by juxtaposing classical and contemporary imagery, artists created memorable and engrossing works. Keywords: Ancient Greek Sculpture, 20th century, Western Art","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126463463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-30DOI: 10.7816/ulakbilge-09-61-01
M. Amine, Imane Hind Sari
Literature underwent thousands of phases that caused people to react distinctly to the endless fluid of literary perception. The purpose of this study is to highlight the impact this continuity of changes had and still have on literary criticism. To epitomize the previous idea, we had to juxtapose the lives of two writers who witnessed different eras: Dostoevsky and Nabokov. The two figures experienced their intertwined fates with variant attitudes and welcomed all the occurrences with an open mind, a number of life-changing works sprang up from their collections of events and particularly personal accounts. This paper also aims to psychologically apply the former nuances of Nabokov’s criticism on Dostoevsky on his own writings in order to demonstrate the identical traits of the literary artist. The Jungian Theory served in this sense to bridge the gap between them and emphasize the emergence of the collective unconscious in the literary realm. Keywords: community, criticism, Jungian Theory, collective unconsciousness
{"title":"NABOKOV VS. DOSTOEVSKY: THE DUALITY OF STANDARDS AND A UNIVERSAL MESSAGE CONVEYED","authors":"M. Amine, Imane Hind Sari","doi":"10.7816/ulakbilge-09-61-01","DOIUrl":"https://doi.org/10.7816/ulakbilge-09-61-01","url":null,"abstract":"Literature underwent thousands of phases that caused people to react distinctly to the endless fluid of literary perception. The purpose of this study is to highlight the impact this continuity of changes had and still have on literary criticism. To epitomize the previous idea, we had to juxtapose the lives of two writers who witnessed different eras: Dostoevsky and Nabokov. The two figures experienced their intertwined fates with variant attitudes and welcomed all the occurrences with an open mind, a number of life-changing works sprang up from their collections of events and particularly personal accounts. This paper also aims to psychologically apply the former nuances of Nabokov’s criticism on Dostoevsky on his own writings in order to demonstrate the identical traits of the literary artist. The Jungian Theory served in this sense to bridge the gap between them and emphasize the emergence of the collective unconscious in the literary realm. Keywords: community, criticism, Jungian Theory, collective unconsciousness","PeriodicalId":187770,"journal":{"name":"Ulakbilge Dergisi","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123691478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-30DOI: 10.7816/ulakbilge-09-59-02
Merter Mert
This study aims to estimate the steady-state growth rate or the natural growth rate and to determine whether the steady-state growth rate is endogenous to demand conditions or not. In order to achieve these aims, this study makes an econometric analysis using ordinary least squares method based on the data of Turkey covering the period 1969-2006. The present study estimates the natural growth rate and analyzes whether the natural growth rate is endogenous or not. But, different from the previous studies, the present study makes estimations in the conditions that capital-output ratio remains constant. According to the results of the study, the steady-state or natural growth rate is 5.71% in Turkey for the period 1969-2006. Moreover, the natural growth rate becomes 9.51% in the boom periods. This result shows that the steady-state or natural growth rate is endogenous to demand conditions in Turkey. Thus, the present study provides evidence for the Thirlwall’s (1969) theory in a different manner. Keywords: Natural growth rate, endogeneity, steady-state, capital-output ratio, economic history of Turkey
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