走向具身心灵的法理学——萨拉·隆德,福布莱德森和正念身体

Marett Leiboff
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引用次数: 2

摘要

正如埃里卡·费舍尔-利希特所说,伟大的波兰戏剧理论家耶日·格罗托夫斯基重新定义了演员身体的概念,把它定义为一种具体化的心灵,一种反应和回应的自我。相反,法律放弃了身体,它的解释者——律师和学者——在理性、理性和逻辑的实践中受伤,或者意识的分离。通过在丹麦首都旅行,遇到真实的和虚构的丹麦人来说明我们如何通过我们的身体发挥作用,这篇文章表明,我们是更好、更有效的法律解释者,作为具体化的思想,而不是无实体的思想。但这不是无意识的体现,不是单纯的反射或身体的爆发。具身心灵具有自我意识(身体上、社会上、智力上),并拥有格罗托夫斯基的演员所持有的同样的具身道德。让人想起克尔凯郭尔对身心分裂的统一,这种连接的精神和身体挑战了奥古斯丁对身体的否定和相关的解释假设,这些假设继承了几个世纪的法律思想。
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Towards a Jurisprudence of the Embodied mind – Sarah Lund, Forbrydelsen and the Mindful Body
As Erika Fischer-Lichte remarked, the great Polish theatre theorist Jerzy Grotowski redefined the notion of the body of the actor as an embodied mind, as a responsive and responding self. Conversely, law abjures the body, its interpreters – lawyers and scholars – inured in practices of rationality, reason and logic, or mindful disembodiment. Travelling through the Danish capital, encountering Danes real and fictitious to illustrate how much we function through our bodies, this essay suggests that we are better and more effective legal interpreters as embodied minds, rather than disembodied minds. But this is not mindless embodiment, a mere reflex or bodily outburst. The embodied mind is self-aware (physically, socially, intellectually) and possesses the same embodied virtuous morality held by Grotowski’s actors. Reminiscent of Kierkegaard’s uniting of the mind-body divide, this connected mind and body challenges the Augustinian negation of the body and associated interpretative assumptions inherited over centuries of legal thought.
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