继承人

S. Smith
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引用次数: 0

摘要

本章重点介绍马克斯·施泰纳的音乐教育,包括正式的(在帝国音乐学院)和非正式的(通过与小约翰·施特劳斯、理查德·施特劳斯和古斯塔夫·马勒的结识)。斯坦纳的父亲现在在维也纳经营着多家剧院,他在父亲的学徒下,在他十几岁的时候,写了短轻歌剧,获得了第一次成功。除了描述斯坦纳早期作品的风格外,这一章还记录了他所受到的各种影响。其中最令人难忘的是:克劳德·德彪西和约翰·菲利普·索萨的音乐会,以及理查德·施特劳斯的事业——歌剧《萨洛姆》的首演。被现代主义的不和谐和维也纳优雅的轻音乐所吸引,马克斯·施泰纳从一个最初冷漠的音乐学生成长为一个高度积极地获得艺术和商业成功的作曲家。
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Heir Apparent
This chapter focuses on Max Steiner’s musical education, both formal (at the Imperial Academy) and informal (through acquaintanceships with Johann Strauss Jr., Richard Strauss, and Gustav Mahler). Apprenticed by his father, who by now managed multiple theaters in Vienna, Steiner scored his first success while in his late teens, writing short operettas. In addition to describing the style of Steiner’s early compositions, the chapter chronicles the wide variety of influences to which he was exposed. Among the most indelible: concerts by Claude Debussy and John Philip Sousa, and the premiere of Richard Strauss’s cause célèbre opera Salomé. Drawn to both modernistic dissonance and the elegant light music of Vienna, Max Steiner matured from an initially indifferent music student to a composer highly motivated to achieve artistic and commercial success.
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