{"title":"剥削作为一种运动","authors":"C. Waddell","doi":"10.3366/edinburgh/9781474409254.003.0013","DOIUrl":null,"url":null,"abstract":"The concluding chapter of ‘The Style of Sleaze’ enters into a discourse about how the term ‘exploitation’ has entered into the pubic and critical discourse to reference a myriad of different motion pictures, some of them major Hollywood productions. In conclusion, the book argues that exploitation cinema deserves further exploration – especially given how little has been explored, academically, as regards the cinema of this type that has emerged from other countries and which warrants similar investigation.","PeriodicalId":325933,"journal":{"name":"The Style of Sleaze","volume":"53 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Exploitation as a Movement\",\"authors\":\"C. Waddell\",\"doi\":\"10.3366/edinburgh/9781474409254.003.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The concluding chapter of ‘The Style of Sleaze’ enters into a discourse about how the term ‘exploitation’ has entered into the pubic and critical discourse to reference a myriad of different motion pictures, some of them major Hollywood productions. In conclusion, the book argues that exploitation cinema deserves further exploration – especially given how little has been explored, academically, as regards the cinema of this type that has emerged from other countries and which warrants similar investigation.\",\"PeriodicalId\":325933,\"journal\":{\"name\":\"The Style of Sleaze\",\"volume\":\"53 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Style of Sleaze\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474409254.003.0013\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Style of Sleaze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474409254.003.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
《The Style of Sleaze》一书的最后一章讨论了“剥削”一词是如何进入公众和评论界的讨论,用来指代无数不同的电影,其中一些是好莱坞的主要作品。总之,这本书认为剥削电影值得进一步探索,特别是考虑到学术界对这种类型的电影的探索很少,这种电影是从其他国家出现的,值得进行类似的研究。
The concluding chapter of ‘The Style of Sleaze’ enters into a discourse about how the term ‘exploitation’ has entered into the pubic and critical discourse to reference a myriad of different motion pictures, some of them major Hollywood productions. In conclusion, the book argues that exploitation cinema deserves further exploration – especially given how little has been explored, academically, as regards the cinema of this type that has emerged from other countries and which warrants similar investigation.