拉帕:新媒体艺术中爪哇精神的表现画布

Ario Wibisono, Bambang Sunarto, Santosa Soewarlan
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摘要

Malioboro是日惹市建筑艺术的一个组成部分,它充满了爪哇文化的意义、哲学和崇高的价值观。目前,Malioboro已经发展成为一个旅游区和一个相当成熟的公共文化空间。然而,随着时代的发展,HB I作为日惹hadininggrat的创始人所设计的日惹城市建筑所蕴含的哲学意义和崇高价值似乎越来越不清晰,越来越难以阅读。视频艺术装置Lampah是对当代马里奥博罗作为公共空间和有意义的建筑艺术存在的一种创造性回应。作者通过主观解释性的方法和艺术的手法,解读了这一现象,并以兰帕艺术的形式表现出来。作为一个沉思的空间,“Lampah”也提供了另一种方式,通过使用爪哇文化中的习语和说话方式来转变爪哇人的高贵价值观和灵性。使用建筑模型来完成这项工作的设计。希望这一理念能够为艺术尤其是新媒体艺术提供新的见解和话语
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Lampah: expression canvas of Java’s spirituality in the new media art
Malioboro is an integral part of the architectural artwork of the city of Yogyakarta, which is full of meaning, philosophy, and noble values of Javanese culture. Currently, Malioboro has developed into a tourist area and a quite existing public cultural space. However, along with the times, the philosophical meaning and noble values embedded in the architecture of the city of Yogyakarta by HB I as the founder of Ngayogyakarta Hadiningrat seem to be unclear and increasingly difficult to read. The video art installation Lampah is a form of creative response to the existence of contemporary Malioboro as a public space as well as a meaningful piece of architectural art. By using interpretative-subjective approaches and artistic methods, the creator reads this phenomenon and represents it in the form of Lampah artwork. As a contemplative space, 'Lampah' also offers an alternative way to transform Javanese noble values and spirituality by using idioms and ways of speaking in Javanese culture. Models in architecture are used to complete the design of this work. It is hoped that this concept can provide new insights and discourses in art, especially new media art
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