跨文化交流中的单一文化:数字文化

Olcay Uçak
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引用次数: 0

摘要

文化是一个多方面的、复杂的过程,包括知识、艺术、道德、习俗、技能和习惯。基于泰勒的这一观点,我们可以说,文化就是社会中的人、他的学习风格以及源于这些学习风格的技术或艺术产品,也就是内容。人类学认为,当文化概念被视为社会系统的一个组成部分时,社会和文化领域的结合形成了社会文化系统。在社会文化系统中处理文化的方法是功能主义(Malinowski),结构功能主义(radliff - brown),历史延伸主义(Kluckhohn, Krober),环境适应(White),而将文化视为思想系统的方法是认知(Goodenough),结构(Levi Strauss)和符号(Geertz)方法。除了这些评估特定于社区的文化的方法之外,根据学习时间做出了另一个定义:玛格丽特·米德,配置文化。为了从文化的角度来评估当今社会,我们正在观察一种新的文化,它在融合技术(移动、云技术、机器人、虚拟现实)的影响下具有配置特征:数字文化。本研究旨在探讨数字文化的特征,它是在定义跨文化交际中不同文化的理论方法(Hofstede的文化维度和配置文化)之后观察到的,被Manual Castells称为网络社会,并在covid - 19大流行期间加速,换句话来说,是共同的交际文化。通过符号学和文本分析的方法,对开始掌握跨文化传播的数字内容进行共同的文化特征研究,将跨文化传播与传播生态进行比较,通过所获得的视觉和书面发现来检查社会文化特征的变化。
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Towards a Single Culture in Cross-Cultural Communication: Digital Culture
Culture is a multifaceted, complex process which consists of knowledge, art, morals, customs, skills and habits. Based on this point of view of Tylor, we can say that the culture is the human in the society, his learning styles and the technical or artistic products that originate from these learning styles, in other words, the content. In antropology it is argued that when the concept of culture is considered as a component in a social system, the combination of the social and cultural areas form the socio-cultural system. Approaches that handle culture within the socio-cultural system are functionalism (Malinowski), structural-functionalism (Radliffe-Brown), historical-extensionist (Kluckhohn, Krober), environmental adaptive (White), while the approaches that treat culture as a system of thought are cognitive (Goodenough), structural (Levi Strauss) and symbolic (Geertz) approaches. In addition to these approaches that evaluate cultures specific to communities, another definition is made according to the learning time: Margeret Mead, Cofigurative Culture. In order to evaluate today’s societies in terms of culture, we are observing a new culture which has cofigurative features under the influence of convergent technologies (mobile, cloud technology, robots, virtual reality): Digital Culture. This study aims to discuss the characteristics of the digital culture, which is observed after the theoretic approaches that define different cultures in cross-cultural communication (Hofstede’s Cultural Dimension and Cofigurative Culture) and called as network society by Manual Castells and accelerated during the Covid19 pandemic, in other words the common communication culture. Common cultural features will be studied through methods of semiology and text analysis upon digital contents which are starting to take hold of cross-cultural communication, a comparison between cross-cultural communication and communicative ecology will be made, the alteration in the cultural features of the society will be examined via visual and written findings obtained.
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