革命后世界上的伊朗文学与波斯文化体系

Laetitia Nanquette
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摘要

在这最后一章,我将本书第一部分关于革命后的伊朗文学在当代伊朗的地位的思考,以及第二部分关于其在伊朗境外流通的思考汇集在一起。我将讨论革命后的伊朗文学在这两个空间中的地位,并反思其在过去四十年中的演变。这一章首先分析了两本在伊朗以外有重要发行量的书:Parinoush Saniee的《命运之书》和Shahriar Mandanipour的《审查伊朗爱情故事》。然后,我将文学与其他艺术(电影和视觉艺术)进行比较,以找出文学在波斯艺术产品的位置和流通中的特殊之处。最后,我认为伊朗文学在国内外的波斯文化体系中,正逐渐被视觉媒体所取代。这是几个世纪以来一直由文学主导的波斯文化史上的一个重大转变。
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Post-Revolutionary Iranian Literature in the World and in the Persian Cultural System
In this concluding chapter, I bring together the reflections from the first part of the book on the place of post-revolutionary Iranian literature in contemporary Iran, and those from the second part of the book on its circulation outside of the Iranian borders. I discuss the position that post-revolutionary Iranian literature has in these two spaces and reflect on how this has evolved in the past forty years. The chapter starts by analysing two books that have had an important circulation outside of Iran: ‘The Book of Fate’ ‘ by Parinoush Saniee and ‘Censoring an Iranian Love Story’ by Shahriar Mandanipour. I then make a comparison between literature and other arts (cinema and visual arts) to find what is specific to literature in the place and circulation of Persian art products. Finally, I argue that Iranian literature is slowly being replaced in the Persian cultural system both within Iran and abroad, by visual media. This is a major shift in the history of Persian culture which has been dominated by the literary for centuries.
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Book Production within Iran: A Look at the Numbers The Iranian Literary Field: An Overview Afterword Post-Revolutionary Iranian Literature in the World and in the Persian Cultural System Iran and the Diaspora: Irreconcilable Divisions?
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