好奇心

R. McWilliam
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引用次数: 0

摘要

“好奇心”探索了伦敦西区各种各样的展览。该地区成为各种受欢迎的展览的所在地,这些展览与“官方”艺术和文化场所并列,如特拉法加广场上的新国家美术馆。伦敦西区的游客可以欣赏到令人眼花缭乱的壮观全景,也可以摆出模型,让古典绘画栩栩如生。也有畸形表演和非白人被展出的活动。其中包括霍屯督的维纳斯和阿兹特克的利力浦特人。展览狂热尤其集中在莱斯特广场,但也可以在皮卡迪利大街上找到,埃及大厅的所在地,提供珍品,艺术作品,流行讲座,立体模型和自动机。欢乐区到处都是被视为扭曲的身体。这给了他们米歇尔·福柯所说的“异托邦”的品质,这种品质吸引了文化,但又扰乱了文化。
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Curiosity
‘Curiosity’ explores the varied world of exhibitions in the West End. The district became home to a variety of popular exhibitions that stood side-by-side with sites of ‘official’ art and culture such as the new National Gallery in Trafalgar Square. The West End visitor could enjoy spectacular panoramas, which dazzled the eye, or poses plastiques where models made classical paintings come to life. There were also freak shows and events where non-white peoples were placed on exhibition. These included the Hottentot Venus and the Aztec Lilliputians. Exhibition-mania was particularly centred on Leicester Square but could also be found on Piccadilly, site of the Egyptian Hall, that offered curiosities, art works, popular lectures, dioramas, and automata. Pleasure districts abounded with what were seen as distorted bodies. This gave them the quality of what Michel Foucault terms ‘heterotopias’ which draw upon, but disturb, the culture at large.
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