{"title":"在爱情和性方面制造麻烦","authors":"J. Hodgson","doi":"10.3366/edinburgh/9780748694112.003.0012","DOIUrl":null,"url":null,"abstract":"This chapter is an autobiographical and critically reflective account of both the making and reception of the first full-length animated documentary made for British television, The Trouble with Love and Sex (2011). The chapter is written by the film’s director, Jonathan Hodgson. The chapter discusses Hodgson’s pre-production concerns regarding animation’s capacity to effectively and engagingly convey subtle nuances of body language on display within emotionally and psychologically complex and challenging spaces (the counselling rooms of Relate, a professional marriage guidance service). The chapter also discusses the highly positive audience response to the finished work, arguing that animated documentary aesthetics and form in fact allowed for notably non-prejudicial, non-judgemental forms of audience engagement with the film’s protagonists. The chapter also discusses at length the pre-production, production, and post-production methodology employed Hodgson and his key collaborators during the making of their film.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"83 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Making The Trouble with Love and Sex\",\"authors\":\"J. Hodgson\",\"doi\":\"10.3366/edinburgh/9780748694112.003.0012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter is an autobiographical and critically reflective account of both the making and reception of the first full-length animated documentary made for British television, The Trouble with Love and Sex (2011). The chapter is written by the film’s director, Jonathan Hodgson. The chapter discusses Hodgson’s pre-production concerns regarding animation’s capacity to effectively and engagingly convey subtle nuances of body language on display within emotionally and psychologically complex and challenging spaces (the counselling rooms of Relate, a professional marriage guidance service). The chapter also discusses the highly positive audience response to the finished work, arguing that animated documentary aesthetics and form in fact allowed for notably non-prejudicial, non-judgemental forms of audience engagement with the film’s protagonists. The chapter also discusses at length the pre-production, production, and post-production methodology employed Hodgson and his key collaborators during the making of their film.\",\"PeriodicalId\":272749,\"journal\":{\"name\":\"Drawn from Life\",\"volume\":\"83 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Drawn from Life\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9780748694112.003.0012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drawn from Life","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9780748694112.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter is an autobiographical and critically reflective account of both the making and reception of the first full-length animated documentary made for British television, The Trouble with Love and Sex (2011). The chapter is written by the film’s director, Jonathan Hodgson. The chapter discusses Hodgson’s pre-production concerns regarding animation’s capacity to effectively and engagingly convey subtle nuances of body language on display within emotionally and psychologically complex and challenging spaces (the counselling rooms of Relate, a professional marriage guidance service). The chapter also discusses the highly positive audience response to the finished work, arguing that animated documentary aesthetics and form in fact allowed for notably non-prejudicial, non-judgemental forms of audience engagement with the film’s protagonists. The chapter also discusses at length the pre-production, production, and post-production methodology employed Hodgson and his key collaborators during the making of their film.