解构圣战主义的元叙事:法蒂玛·布托小说《逃亡者》的后现代研究

Qasim Ali Kharal, Sobia Naseem, Huzaifa Muhammad
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引用次数: 0

摘要

本研究旨在通过后现代理论的视角分析法蒂玛·布托的小说《逃亡者》(2018),解构圣战主义的元叙事。法蒂玛·布托在她的小说中试图展示圣战主义是西方媒体针对特定宗教团体的政治利益而对穆斯林的虚假指控。目前的研究运用了让-弗朗索瓦·利奥塔提出的后现代概念“总体叙事的非法性”和鲍德里亚的“超现实”概念来探究为什么不是伊斯兰极端主义促使人物加入圣战运动,而是异化、排斥和社会不公使他们与世界对立。此外,弗洛伊德的“位移”概念也被用来理解加入圣战运动背后的动机。这篇研究文章试图得出这样的结论:圣战是一种有偏见的元叙事,它是通过不同的后现代策略构建的,不向主流伊斯兰教屈服,是穆斯林身份的耻辱。
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Deconstructing the Metanarrative of Jihadism: A Postmodern Study of Fatima Bhutto’s Novel The Runaways
The present research article aimed to deconstruct the metanarrative of Jihadism by analyzing the novel The Runaways (2018) by Fatima Bhutto through the lens of postmodern theory. Fatima Bhutto in her novel tried to present that Jihadism is a false accusation against Muslims by West media to target a particular religious group for political gains. Present research applied the postmodern concept of 'illegitimacy of totalizing narratives' by Jean-Francois Lyotard and Baudrillard's concept of ‘Hyper-reality' to inquire how it was not Islamic extremism that provoked characters to join the jihad movement but rather alienation, rejection, and social injustice which turned them against the world. Moreover, Freud's concept of 'displacement' was also taken to understand the motives behind joining the jihad movement. This research article tried to conclude that jihad was a biased metanarrative which is constructed through different postmodern strategies which had no bending to mainstream Islam and was a stigma to Muslims identity in general.
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