{"title":"O uŽasu spoznaje:我是h.p.洛夫克拉夫特","authors":"Matija Jelača","doi":"10.22210/UR.2019.063.1_2.01","DOIUrl":null,"url":null,"abstract":"ON THE HORROR OF KNOWLEDGE: SPECULATIVE REALISM AND H.\nP. LOVECRAFT\n\nThis paper provides an account of the relation between the philosophy of speculative\nrealism and H. P. Lovecraft’s poetics of “cosmic horror”. Q. Meillassoux and R.\nBrassier are taken as representatives of speculative realism. These two philosophers\nshare two fundamental presumptions: first, any philosophy that aspires to the name \nof “realism” has to provide an answer to the question as to how thought can think a\nworld without thought; and second, insofar as it reveals that this is indeed possible\n– to think a world without thought – science constitutes the greatest challenge\nto correlationism. The first two parts of the text provide an account of these two\naspects of Meillassoux’s and Brassier’s projects respectively. The third part reconstructs the basic tenets of Lovecraft’s poetics of “cosmic horror”, first through an\nengagement with his numerous (auto)poetic writings on this genre, and then by a\nreading of his famous short story “The Call of Cthulhu”. Finally, the conclusion\nbrings these various threads together in order to show that an explication of the\nrelation between these three authors facilitates a better understanding of the specifics\nof their individual projects.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"308 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"O UŽASU SPOZNAJE: SPEKULATIVNI REALIZAM I H. P. LOVECRAFT\",\"authors\":\"Matija Jelača\",\"doi\":\"10.22210/UR.2019.063.1_2.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ON THE HORROR OF KNOWLEDGE: SPECULATIVE REALISM AND H.\\nP. LOVECRAFT\\n\\nThis paper provides an account of the relation between the philosophy of speculative\\nrealism and H. P. Lovecraft’s poetics of “cosmic horror”. Q. Meillassoux and R.\\nBrassier are taken as representatives of speculative realism. These two philosophers\\nshare two fundamental presumptions: first, any philosophy that aspires to the name \\nof “realism” has to provide an answer to the question as to how thought can think a\\nworld without thought; and second, insofar as it reveals that this is indeed possible\\n– to think a world without thought – science constitutes the greatest challenge\\nto correlationism. The first two parts of the text provide an account of these two\\naspects of Meillassoux’s and Brassier’s projects respectively. The third part reconstructs the basic tenets of Lovecraft’s poetics of “cosmic horror”, first through an\\nengagement with his numerous (auto)poetic writings on this genre, and then by a\\nreading of his famous short story “The Call of Cthulhu”. Finally, the conclusion\\nbrings these various threads together in order to show that an explication of the\\nrelation between these three authors facilitates a better understanding of the specifics\\nof their individual projects.\",\"PeriodicalId\":371506,\"journal\":{\"name\":\"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu\",\"volume\":\"308 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22210/UR.2019.063.1_2.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22210/UR.2019.063.1_2.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
O UŽASU SPOZNAJE: SPEKULATIVNI REALIZAM I H. P. LOVECRAFT
ON THE HORROR OF KNOWLEDGE: SPECULATIVE REALISM AND H.
P. LOVECRAFT
This paper provides an account of the relation between the philosophy of speculative
realism and H. P. Lovecraft’s poetics of “cosmic horror”. Q. Meillassoux and R.
Brassier are taken as representatives of speculative realism. These two philosophers
share two fundamental presumptions: first, any philosophy that aspires to the name
of “realism” has to provide an answer to the question as to how thought can think a
world without thought; and second, insofar as it reveals that this is indeed possible
– to think a world without thought – science constitutes the greatest challenge
to correlationism. The first two parts of the text provide an account of these two
aspects of Meillassoux’s and Brassier’s projects respectively. The third part reconstructs the basic tenets of Lovecraft’s poetics of “cosmic horror”, first through an
engagement with his numerous (auto)poetic writings on this genre, and then by a
reading of his famous short story “The Call of Cthulhu”. Finally, the conclusion
brings these various threads together in order to show that an explication of the
relation between these three authors facilitates a better understanding of the specifics
of their individual projects.