{"title":"维维尔·金塔纳《Canción sin Miedo》的批评话语分析","authors":"Verónica Andrea Escobar Mejía","doi":"10.32591/coas.ojas.0402.02051e","DOIUrl":null,"url":null,"abstract":"The feminist movement in Mexico has recently gained attention due to the diverse manifestations along with the country. The song Canción sin miedo (2020) portrays elements that keep a relationship with the feminist ideology, as well as recent events that are depicted in the lyrics. Critical discourse analysis (CDA) is presented as an approach to examining the song, using Halliday’s systemic functional linguistics (SFL) model and parallelism analysis. The outcomes of this study suggest that the song was produced as a claim for social justice, but it involves elements that generate a sense of identity for some women because their roles and struggles are depicted in the lyrics, principally femicide. Additionally, the parallelism analysis shows three syntactical structures that compose the body of the text. This examination is also a call for noticing the emergence of violence against women in Mexico.","PeriodicalId":231044,"journal":{"name":"Open Journal for Anthropological Studies","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Critical Discourse Analysis of “Canción sin Miedo” by Vivir Quintana\",\"authors\":\"Verónica Andrea Escobar Mejía\",\"doi\":\"10.32591/coas.ojas.0402.02051e\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The feminist movement in Mexico has recently gained attention due to the diverse manifestations along with the country. The song Canción sin miedo (2020) portrays elements that keep a relationship with the feminist ideology, as well as recent events that are depicted in the lyrics. Critical discourse analysis (CDA) is presented as an approach to examining the song, using Halliday’s systemic functional linguistics (SFL) model and parallelism analysis. The outcomes of this study suggest that the song was produced as a claim for social justice, but it involves elements that generate a sense of identity for some women because their roles and struggles are depicted in the lyrics, principally femicide. Additionally, the parallelism analysis shows three syntactical structures that compose the body of the text. This examination is also a call for noticing the emergence of violence against women in Mexico.\",\"PeriodicalId\":231044,\"journal\":{\"name\":\"Open Journal for Anthropological Studies\",\"volume\":\"33 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Open Journal for Anthropological Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32591/coas.ojas.0402.02051e\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Journal for Anthropological Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32591/coas.ojas.0402.02051e","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
最近,墨西哥的女权运动随着国家的发展呈现出多种多样的表现形式,备受关注。歌曲Canción sin miedo(2020)描绘了与女权主义意识形态保持关系的元素,以及歌词中描述的最近发生的事件。本文运用韩礼德的系统功能语言学(SFL)模型和对偶分析,提出了批评语篇分析(CDA)作为研究这首歌的一种方法。这项研究的结果表明,这首歌是为了争取社会正义而创作的,但它包含了一些元素,这些元素让一些女性产生了一种认同感,因为歌词中描绘了她们的角色和挣扎,主要是杀害女性。此外,平行分析显示了组成文本主体的三种语法结构。这次审查也呼吁人们注意到墨西哥出现的针对妇女的暴力行为。
Critical Discourse Analysis of “Canción sin Miedo” by Vivir Quintana
The feminist movement in Mexico has recently gained attention due to the diverse manifestations along with the country. The song Canción sin miedo (2020) portrays elements that keep a relationship with the feminist ideology, as well as recent events that are depicted in the lyrics. Critical discourse analysis (CDA) is presented as an approach to examining the song, using Halliday’s systemic functional linguistics (SFL) model and parallelism analysis. The outcomes of this study suggest that the song was produced as a claim for social justice, but it involves elements that generate a sense of identity for some women because their roles and struggles are depicted in the lyrics, principally femicide. Additionally, the parallelism analysis shows three syntactical structures that compose the body of the text. This examination is also a call for noticing the emergence of violence against women in Mexico.